Today's Stichomancy for Dick Cheney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The First Men In The Moon by H. G. Wells:

had come.

We did not get our impression of that cavern all at once. Our attention was taken up by the movements and attitudes of the Selenites immediately about us, and by the necessity of controlling our motion, lest we should startle and alarm them and ourselves by some excessive stride. In front of us was the short, thick-set being who had solved the problem of asking us to get up, moving with gestures that seemed, almost all of them, intelligible to us, inviting us to follow him. His spout-like face turned from one of us to the other with a quickness that was clearly interrogative. For a time, I say, we were taken up with these things.

But at last the great place that formed a background to our movements

The First Men In The Moon

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

with the pasha of vignettes and type. Otherwise we might have waited till eleven o'clock, and our turn would not have come. The crowd of people waiting to speak with Dauriat is growing bigger every moment."

Lucien and Lousteau followed Blondet, Finot, and Vernou, and stood in a knot at the back of the shop.

"What is he doing?" asked Blondet of the head-clerk, who rose to bid him good-evening.

"He is buying a weekly newspaper. He wants to put new life into it, and set up a rival to the Minerve and the Conservateur; Eymery has rather too much of his own way in the Minerve, and the Conservateur is too blindly Romantic."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Meno by Plato:

'colour;' and if he is a candid friend, and not a mere disputant, Socrates is willing to furnish him with a simpler and more philosophical definition, into which no disputed word is allowed to intrude: 'Figure is the limit of form.' Meno imperiously insists that he must still have a definition of colour. Some raillery follows; and at length Socrates is induced to reply, 'that colour is the effluence of form, sensible, and in due proportion to the sight.' This definition is exactly suited to the taste of Meno, who welcomes the familiar language of Gorgias and Empedocles. Socrates is of opinion that the more abstract or dialectical definition of figure is far better.

Now that Meno has been made to understand the nature of a general

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Othello by William Shakespeare:

with certaine Venetians, and thither comes the Bauble, and falls me thus about my neck

Oth. Crying oh deere Cassio, as it were: his iesture imports it

Cassio. So hangs, and lolls, and weepes vpon me: So shakes, and pulls me. Ha, ha, ha

Oth. Now he tells how she pluckt him to my Chamber: oh, I see that nose of yours, but not that dogge, I shall throw it to

Cassio. Well, I must leaue her companie

Iago. Before me: looke where she comes.

Othello