| The first excerpt represents the past or something you must release, and is drawn from The Mirror of the Sea by Joseph Conrad: seaman worthy of the name.
On my first voyage as chief mate with good Captain MacW- I remember
that I felt quite flattered, and went blithely about my duties,
myself a commander for all practical purposes. Still, whatever the
greatness of my illusion, the fact remained that the real commander
was there, backing up my self-confidence, though invisible to my
eyes behind a maple-wood veneered cabin-door with a white china
handle.
That is the time, after your Departure is taken, when the spirit of
your commander communes with you in a muffled voice, as if from the
sanctum sanctorum of a temple; because, call her a temple or a
 The Mirror of the Sea |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Child of Storm by H. Rider Haggard: is his daughter?"
"Aye," answered the jolly old Umbezi, "but what her father has not said
is that Saduko is her lover, or, rather, would like to be. Wow!
Saduko," he went on, shaking his fat finger at him, "are you mad, man,
that you think a girl like that is for you? Give me a hundred cattle,
not one less, and I will begin to think of it. Why, you have not ten,
and Mameena is my eldest daughter, and must marry a rich man."
"She loves me, O Umbezi," answered Saduko, looking down, "and that is
more than cattle."
"For you, perhaps, Saduko, but not for me who am poor and want cows.
Also," he added, glancing at him shrewdly, "are you so sure that Mameena
 Child of Storm |
The third excerpt represents the future or something you must embrace, and is drawn from Adieu by Honore de Balzac: themselves to perish in those flames rather than rise and move on. It
is four o'clock, Philippe! In two hours the Russians will begin to
move. I assure you you will again see the Beresina choked with
corpses. Philippe! think of yourself! You have no horses, you cannot
carry the countess in your arms. Come--come with me!" he said
urgently, pulling de Sucy by the arm.
"My friend! abandon Stephanie!"
De Sucy seized the countess, made her stand upright, shook her with
the roughness of a despairing man, and compelled her to wake up. She
looked at him with fixed, dead eyes.
"You must walk, Stephanie, or we shall all die here."
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