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Today's Stichomancy for Dick Cheney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

arrest as yet, but you are quite clever enough to know that if I had the faintest justification I would not leave here alone. And one thing more I have to say. You may not know that I have had the most extraordinary luck in my profession, that in more than a hundred cases there have been but two where the criminal I was hunting escaped me. And now, Mrs. Bernauer, I will bid you good day."

Muller stepped towards the window and motioned to Franz, who was walking up and down outside. The old man ran to the door and met the detective in the hall.

"You'd better go in and look after Mrs. Bernauer," said the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Episode Under the Terror by Honore de Balzac:

this time the door stood open, and the two Sisters were out at the stairhead, eager to light the way. Mademoiselle de Langeais even came down a few steps, to meet their benefactor the sooner.

"Come," she said, with a quaver in the affectionate tones, "come in; we are expecting you."

He raised his face, gave her a dark look, and made no answer. The sister felt as if an icy mantle had fallen over her, and said no more. At the sight of him, the glow of gratitude and curiosity died away in their hearts. Perhaps he was not so cold, not so taciturn, not so stern as he seemed to them, for in their highly wrought mood they were ready to pour out their feeling of friendship. But the three poor

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Touchstone by Edith Wharton:

tragic importunity. He knew, of course, that they were wonderful; that, unlike the authors who give their essence to the public and keep only a dry rind for their friends, Mrs. Aubyn had stored of her rarest vintage for this hidden sacrament of tenderness. Sometimes, indeed, he had been oppressed, humiliated almost, by the multiplicity of her allusions, the wide scope of her interests, her persistence in forcing her superabundance of thought and emotion into the shallow receptacle of his sympathy; but he had never thought of the letters objectively, as the production of a distinguished woman; had never measured the literary significance of her oppressive prodigality. He was

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Shadow Line by Joseph Conrad:

(for I had not unpacked my things), I sat down on the bed and abandoned myself to the influences of the hour. To the unexpected influences. . . .

And first I wondered at my state of mind. Why was I not more surprised? Why? Here I was, in- vested with a command in the twinkling of an eye, not in the common course of human affairs, but more as if by enchantment. I ought to have been lost in astonishment. But I wasn't. I was very much like people in fairy tales. Nothing ever astonishes them. When a fully appointed gala


The Shadow Line