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Today's Stichomancy for Dick Cheney

The first excerpt represents the past or something you must release, and is drawn from Agnes Grey by Anne Bronte:

corner of the park, a clump of trees whose topmost branches had been colonized by an innumerable company of noisy rooks, and a high wall with a massive wooden gate: no doubt communicating with the stable-yard, as a broad carriage-road swept up to it from the park. The shadow of this wall soon took posession of the whole of the ground as far as I could see, forcing the golden sunlight to retreat inch by inch, and at last take refuge in the very tops of the trees. Ere long, even they were left in shadow - the shadow of the distant hills, or of the earth itself; and, in sympathy for the busy citizens of the rookery, I regretted to see their habitation, so lately bathed in glorious light, reduced to the sombre, work-a-


Agnes Grey
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The third excerpt represents the future or something you must embrace, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

scheme of evolution that rules in Caspak. In it he found explanations of the hitherto inexplicable. He discovered why he had seen no babes or children among the Caspakian tribes with which he had come in contact; why each more northerly tribe evinced a higher state of development than those south of them; why each tribe included individuals ranging in physical and mental characteristics from the highest of the next lower race to the lowest of the next higher, and why the women of each tribe immersed themselves morning for an hour or more in the warm pools near which the habitations of their people always were located; and, too, he discovered why those pools were almost immune from


Out of Time's Abyss