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Today's Stichomancy for Doc Holliday

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

and lava-gatherers and image-makers in Baharna and afterward say in their far homes that they have indeed beheld it. The captain was not even sure that any person now living had beheld that carven face, for the wrong side of Ngranek is very difficult and barren and sinister, and there are rumours of caves near the peak wherein dwell the night-gaunts. But the captain did not wish to say just what a night-gaunt might be like, since such cattle are known to haunt most persistently the dreams of those who think too often of them. Then Carter asked that captain about unknown Kadath in the cold waste, and the marvellous sunset city, but of these the good man could truly tell nothing.


The Dream-Quest of Unknown Kadath
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from To the Lighthouse by Virginia Woolf:

of grief, this insatiable hunger for sympathy, this demand that she should surrender herself up to him entirely, and even so he had sorrows enough to keep her supplied for ever, should leave her, should be diverted (she kept looking at the house, hoping for an interruption) before it swept her down in its flow.

"Such expeditions," said Mr Ramsay, scraping the ground with his toe, "are very painful." Still Lily said nothing. (She is a stock, she is a stone, he said to himself.) "They are very exhausting," he said, looking, with a sickly look that nauseated her (he was acting, she felt, this great man was dramatising himself), at his beautiful hands. It was horrible, it was indecent. Would they never come, she asked,


To the Lighthouse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Jude the Obscure by Thomas Hardy:

Deprive me of office to-morrow, you can never deprive me of the consciousness that I have exercised the powers committed to me from no corrupt or interested motives, from no desire to gratify ambition, for no personal gain."

Then the sly author of the immortal Chapter on Christianity: "How shall we excuse the supine inattention of the Pagan and philosophic world, to those evidences [miracles] which were presented by Omnipotence? ... The sages of Greece and Rome turned aside from the awful spectacle, and appeared unconscious of any alterations in the moral or physical government of the world."

Then the shade of the poet, the last of the optimists:


Jude the Obscure
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of War by Sun Tzu:

were told to keep out of sight, and the walls were manned with the old and weaker men and with women. This done, envoys were dispatched to the enemy's camp to arrange terms of surrender, whereupon the Yen army began shouting for joy. T`ien Tan also collected 20,000 ounces of silver from the people, and got the wealthy citizens of Chi-mo to send it to the Yen general with the prayer that, when the town capitulated, he would allow their homes to be plundered or their women to be maltreated. Ch`i Chieh, in high good humor, granted their prayer; but his army now became increasingly slack and careless. Meanwhile, T`ien Tan got together a thousand oxen, decked them with pieces of red silk,


The Art of War