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Today's Stichomancy for Doc Holliday

The first excerpt represents the past or something you must release, and is drawn from 1492 by Mary Johntson:

In the morning we sailed away, not without plentiful promises of return. When we put up our white sails they cried out and pointed to the cloud sierra. No! We would not go back to heaven--or if we did so we would come again, loving so our gentle friends upon earth! We sailed, and in all our after wanderings we never came back to this island. And never again, I think, while Columbus voyaged, did there come to us just the bright, exquisite thrill of that first land after long doubt and no land. San Salvador-- Holy Saviour Island!

CHAPTER XVII

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Secret Places of the Heart by H. G. Wells:

particular. . . . And you are getting something going that will be a plan and a direction and a conscience and a control for them? You will find my father extremely difficult, but some of our younger men would love it.

"And," she went on; "there are American women who'd love it too. We're petted. We're kept out of things. We aren't placed. We don't get enough to do. We're spenders and wasters --not always from choice. While these fathers and brothers and husbands of ours play about with the fuel and power and life and hope of the world as though it was a game of poker. With all the empty unspeakable solemnity of the male. And

The third excerpt represents the future or something you must embrace, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart:

speak to him he was taking a crowd of the little girls to the fruit-punch bowl.

I determined to have things out with H during the Cotillion, and tell him that I would never marry him, that I would Die first. But I was favored a great deal, and when we did have a chance the music was making such a noise that I would have had to shout. Our chairs were next to the band.

But at last we had a minute, and I went out to the verandah, which was closed in with awnings. He had to follow, of course, and I turned and faced him.

"Now" I said, "this has got to stop."