| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson: terrors. Wherefore, as soon as our household had fallen into a
regular routine, and the bonds of Samoan family life began to draw
us more closely together, Tusitala felt the necessity of including
our retainers in our evening devotions. I suppose ours was the
only white man's family in all Samoa, except those of the
missionaries, where the day naturally ended with this homely,
patriarchal custom. Not only were the religious scruples of the
natives satisfied, but, what we did not foresee, our own
respectability - and incidentally that of our retainers - became
assured, and the influence of Tusitala increased tenfold.
After all work and meals were finished, the 'pu,' or war conch, was
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Memorabilia by Xenophon: [34] Or, "more grammatical"; "the better grammarian."
Euth. He who does so intentionally, I should say, because he can spell
or read correctly whenever he chooses.
Soc. Then the voluntary misspeller may be a lettered person, but the
involuntary offender is an illiterate?[35]
[35] Or, "In fact, he who sins against the lore of grammer
intentionally may be a good grammarian and a man of letters, but
he who does so involuntarily is illiterate and a bad grammarian?"
Euth. True, he must be. I do not see how to escape from that
conclusion.
Soc. And which of the two knows what is right--he who intentionally
 The Memorabilia |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Silas Marner by George Eliot: them as I'm fond of think me unfitting company for 'em. What could
_I_ care for then?"
Nancy looked at Godfrey with a pained questioning glance. But his
eyes were fixed on the floor, where he was moving the end of his
stick, as if he were pondering on something absently. She thought
there was a word which might perhaps come better from her lips than
from his.
"What you say is natural, my dear child--it's natural you should
cling to those who've brought you up," she said, mildly; "but
there's a duty you owe to your lawful father. There's perhaps
something to be given up on more sides than one. When your father
 Silas Marner |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain: work up its expectancy. At length, out of the silence
a noble Latin chant -- men's voices -- broke and
swelled up and rolled away into the night, a majestic
tide of melody. I had put that up, too, and it was one
of the best effects I ever invented. When it was finished
I stood up on the platform and extended my hands
abroad, for two minutes, with my face uplifted -- that
always produces a dead hush -- and then slowly pro-
nounced this ghastly word with a kind of awfulness which
caused hundreds to tremble, and many women to faint:
"Constantinopolitanischerdudelsackspfeifen-
 A Connecticut Yankee in King Arthur's Court |