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Today's Stichomancy for Donald Rumsfeld

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Sergius by Leo Tolstoy:

niche for sleeping, with a straw mattress, a small table, and a shelf with icons and books. Outside the outer door, which fastened with a hook, was another shelf on which, once a day, a monk placed food from the monastery.

And so Sergius became a hermit.

III

At Carnival time, in the sixth year of Sergius's life at the hermitage, a merry company of rich people, men and women from a neighbouring town, made up a troyka-party, after a meal of carnival-pancakes and wine. The company consisted of two lawyers, a wealthy landowner, an officer, and four ladies. One

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Juana by Honore de Balzac:

virtues and the most passionate impulses; she had needed the modesty and sanctity of this monotonous life to calm and cool the tumultuous blood of the Maranas which bounded in her heart, the desires of which her adopted mother told her were an instigation of the devil.

A faint ray of light traced along the sill of the secret door guided Montefiore to the place; he scratched the panel softly and Juana opened to him. Montefiore entered, palpitating, but he recognized in the expression of the girl's face complete ignorance of her peril, a sort of naive curiosity, and an innocent admiration. He stopped short, arrested for a moment by the sacredness of the picture which met his eyes.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A House of Pomegranates by Oscar Wilde:

let us go to another city, and make merry, for we have nine purses of gold.'

But the young Fisherman took the nine purses of gold, and flung them down, and trampled on them.

'Nay,' he cried, 'but I will have nought to do with thee, nor will I journey with thee anywhere, but even as I sent thee away before, so will I send thee away now, for thou hast wrought me no good.' And he turned his back to the moon, and with the little knife that had the handle of green viper's skin he strove to cut from his feet that shadow of the body which is the body of the Soul.

Yet his Soul stirred not from him, nor paid heed to his command,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

Dolmetsch in England, is both likely and promising; whereas there is no more hope in attempts to out-Wagner Wagner in music drama than there was in the old attempts--or for the matter of that, the new ones--to make Handel the starting point of a great school of oratorio.

BAYREUTH

When the Bayreuth Festival Playhouse was at last completed, and opened in 1876 with the first performance of The Ring, European society was compelled to admit that Wagner was "a success." Royal personages, detesting his music, sat out the performances in the row of boxes set apart for princes. They all complimented