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Today's Stichomancy for Donald Rumsfeld

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Brother of Daphne by Dornford Yates:

again is a first-class bath. 'The Nobleman.' A great feature is the glass screen. The enamel, too, is of the very best quality. Nickelplated fittings, stream line body, detachable whee- er- that is, the waste also is constructed on a most ingenious principle: we call it the 'Want-Not' pattern."

"Ah," she said quietly. " And what's the price of this -er- paragon?"

I glanced at the ticket, knitting my brows.

"Well, it's listed at 'AWK/-', but to you, madam, the price is- "

I looked at her, smiling.

"Yes?" she said, with her grey eyes on mine. Her eyebrows were


The Brother of Daphne
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lily of the Valley by Honore de Balzac:

again replanted yet forever uprooted. Our new scientific nomenclature has plenty of words to explain these things; gastritis, pericarditis, all the thousand maladies of women the names of which are whispered in the ear, all serve as passports to the coffin followed by hypocritical tears that are soon wiped by the hand of a notary. Can there be at the bottom of this great evil some law which we do not know? Must the centenary pitilessly strew the earth with corpses and dry them to dust about him that he may raise himself, as the millionaire battens on a myriad of little industries? Is there some powerful and venomous life which feasts on these gentle, tender creatures? My God! do I belong to the race of tigers?


The Lily of the Valley
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The White Moll by Frank L. Packard:

gang-lair was; and the note certainly would not contain such details as street and number, which she was obviously supposed to know. She smiled a little grimly to herself. Yes, it seemed as though fortune were beginning to smile upon her again - fortune, at least, had supplied her with a guide.

The twisted figure walked on the inside of the sidewalk, and curiously seemed to seek as much as possible the protecting shadows of the buildings, and invariably shrank back out of the way of the passers-by they met. She watched him narrowly as they went along. What was he afraid of? Recognition? It puzzled her for a time, and then she understood: It was not fear of recognition; the sullen,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

worship of the human-formed God of the tribe--the God who dies and rises again eternally, as the tribe passes on eternal--though its members perpetually perish; then to the conception of an undying Savior, and the realization and distinct experience of some kind of Super-consciousness which does certainly reside, more or less hidden, in the deeps of the mind, and has been waiting through the ages for its disclosure and recognition. Then again to the recognition that in the sacrifices, the Slayer and the Slain are one--the strange and profoundly mystic perception that the God and the Victim are in essence the same--the


Pagan and Christian Creeds