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Today's Stichomancy for Donald Rumsfeld

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Life in the Iron-Mills by Rebecca Davis:

hungry mill-boy at least, in the back seat, have "known the man"? That Jesus did not stand there.

Wolfe rose at last, and turned from the church down the street. He looked up; the night had come on foggy, damp; the golden mists had vanished, and the sky lay dull and ash-colored. He wandered again aimlessly down the street, idly wondering what had become of the cloud-sea of crimson and scarlet. The trial- day of this man's life was over, and he had lost the victory. What followed was mere drifting circumstance,--a quicker walking over the path,--that was all. Do you want to hear the end of it? You wish me to make a tragic story out of it? Why, in the


Life in the Iron-Mills
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Salome by Oscar Wilde:

papillons blancs. Elles sont tout e fait comme des papillons blancs.

LE PAGE D'HERODIAS. Mais qu'est-ce que cela vous fait? Pourquoi la regarder? Il ne faut pas la regarder . . . Il peut arriver un malheur.

LE CAPPADOCIEN [montrant la citerne] Quelle etrange prison!

SECOND SOLDAT. C'est une ancienne citerne.

LE CAPPADOCIEN. Une ancienne citerne! cela doit etre tres malsain.

SECOND SOLDAT. Mais non. Par exemple, le frere du tetrarque, son frere aine, le premier mari de la reine Herodias, a ete enferme le- dedans pendant douze annees. Il n'en est pas mort. A la fin il a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from La Grande Breteche by Honore de Balzac:

the old housekeeper rose and said in my ear, "Do not speak; Madame la Comtesse is not in a state to bear the slightest noise, and what you say might agitate her."

" 'I sat down. A few instants after, Madame de Merret collected all her remaining strength to move her right hand, and slipped it, not without infinite difficulty, under the bolster; she then paused a moment. With a last effort she withdrew her hand; and when she brought out a sealed paper, drops of perspiration rolled from her brow. "I place my will in your hands--Oh! God! Oh!" and that was all. She clutched a crucifix that lay on the bed, lifted it hastily to her lips, and died.


La Grande Breteche
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Message by Honore de Balzac:

put to me. At every turn of a wood, in every beaten pathway, I rehearsed a modern version of the scene in which Sosie describes the battle to his lantern. To my shame be it said, I had thought at first of nothing but the part that _I_ was to play, of my own cleverness, of how I should demean myself; but now that I was in the country, an ominous thought flashed through my soul like a thunderbolt tearing its way through a veil of gray cloud.

What an awful piece of news it was for a woman whose whole thoughts were full of her young lover, who was looking forward hour by hour to a joy which no words can express, a woman who had been at a world of pains to invent plausible pretexts to draw him