| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Life in the Iron-Mills by Rebecca Davis: hungry mill-boy at least, in the back seat, have "known the
man"? That Jesus did not stand there.
Wolfe rose at last, and turned from the church down the street.
He looked up; the night had come on foggy, damp; the golden
mists had vanished, and the sky lay dull and ash-colored. He
wandered again aimlessly down the street, idly wondering what
had become of the cloud-sea of crimson and scarlet. The trial-
day of this man's life was over, and he had lost the victory.
What followed was mere drifting circumstance,--a quicker walking
over the path,--that was all. Do you want to hear the end of
it? You wish me to make a tragic story out of it? Why, in the
 Life in the Iron-Mills |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Salome by Oscar Wilde: papillons blancs. Elles sont tout e fait comme des papillons
blancs.
LE PAGE D'HERODIAS. Mais qu'est-ce que cela vous fait? Pourquoi la
regarder? Il ne faut pas la regarder . . . Il peut arriver un
malheur.
LE CAPPADOCIEN [montrant la citerne] Quelle etrange prison!
SECOND SOLDAT. C'est une ancienne citerne.
LE CAPPADOCIEN. Une ancienne citerne! cela doit etre tres malsain.
SECOND SOLDAT. Mais non. Par exemple, le frere du tetrarque, son
frere aine, le premier mari de la reine Herodias, a ete enferme le-
dedans pendant douze annees. Il n'en est pas mort. A la fin il a
|