Today's Stichomancy for Donald Trump

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alexander's Bridge by Willa Cather:

The yellow light from the student's lamp fell on his hands and the purple sleeves of his velvet smoking-jacket, but his flushed face and big, hard head were in the shadow. There was something about him that made Hilda wish herself at her hotel again, in the street below, anywhere but where she was.

"Of course I know, Bartley," she said at last, "that after this you won't owe me the least consideration. But we sail on Tuesday. I saw that interview in the paper yesterday,

Alexander's Bridge

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Two Poets by Honore de Balzac:

Angouleme tailor, he looked him over from head to foot, in short, then he coolly returned his eyeglass to his waistcoat pocket with a gesture that said, "I am satisfied." And Lucien, eclipsed at this moment by the elegance of the inland revenue department, thought that it would be his turn by and by, when he should turn a face lighted up with poetry upon the assembly; but this prospect did not prevent him from feeling the sharp pang that succeeded to the uncomfortable sense of M. de Bargeton's imagined hostility. The Baron seemed to bring all the weight of his fortune to bear upon him, the better to humiliate him in his poverty. M. de Bargeton had counted on having no more to say, and his soul was dismayed by the pause spent by the rivals in mutual

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ion by Plato:

always to wear fine clothes, and to look as beautiful as you can is a part of your art. Then, again, you are obliged to be continually in the company of many good poets; and especially of Homer, who is the best and most divine of them; and to understand him, and not merely learn his words by rote, is a thing greatly to be envied. And no man can be a rhapsode who does not understand the meaning of the poet. For the rhapsode ought to interpret the mind of the poet to his hearers, but how can he interpret him well unless he knows what he means? All this is greatly to be envied.

ION: Very true, Socrates; interpretation has certainly been the most laborious part of my art; and I believe myself able to speak about Homer better than any man; and that neither Metrodorus of Lampsacus, nor

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Emma by Jane Austen:

foretell vexation from that quarter."

"Not I, indeed. I only name possibilities. I do not pretend to Emma's genius for foretelling and guessing. I hope, with all my heart, the young man may be a Weston in merit, and a Churchill in fortune.--But Harriet Smith--I have not half done about Harriet Smith. I think her the very worst sort of companion that Emma could possibly have. She knows nothing herself, and looks upon Emma as knowing every thing. She is a flatterer in all her ways; and so much the worse, because undesigned. Her ignorance is hourly flattery. How can Emma imagine she has any thing to learn herself, while Harriet is presenting such a delightful inferiority? And as for Harriet,

Emma