Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Donald Trump

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moran of the Lady Letty by Frank Norris:

birds flocking again after a scare. Swiftly he took in the scene. The blue waters of the bay around him, the deck of a schooner on which he stood, the Whitehall boat alongside, and an enormous man with a face like a setting moon wrangling with his friend in the sweater--no longer iridescent.

"What do you call it?" shouted the red man. "I want able seamen-- I don't figger on working this boat with dancing masters, do I? We ain't exactly doing quadrilles on my quarterdeck. If we don't look out we'll step on this thing and break it. It ain't ought to be let around loose without its ma."

"Rot that," vociferated the brown sweater. "I tell you he's one

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin:

how, for instance, a land carnivorous animal could have been converted into one with aquatic habits; for how could the animal in its transitional state have subsisted? It would be easy to show that within the same group carnivorous animals exist having every intermediate grade between truly aquatic and strictly terrestrial habits; and as each exists by a struggle for life, it is clear that each is well adapted in its habits to its place in nature. Look at the Mustela vison of North America, which has webbed feet and which resembles an otter in its fur, short legs, and form of tail; during summer this animal dives for and preys on fish, but during the long winter it leaves the frozen waters, and preys like other polecats on mice and land animals. If a different case had been taken, and it had been


On the Origin of Species
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ballads by Robert Louis Stevenson:

And sudden the hurricane wrack unrolls up the front of the sky, At once the ship lies idle, the sails hang silent on high, The breath of the wind that blew is blown out like the flame of a lamp, And the silent armies of death draw near with inaudible tramp: So sudden, the voice of her weeping ceased; in silence she rose And passed from the house of her sorrow, a woman clothed with repose, Carrying death in her breast and sharpening death with her hand.

Hither she went and thither in all the coasts of the land. They tell that she feared not to slumber alone, in the dead of night, In accursed places; beheld, unblenched, the ribbon of light (9) Spin from temple to temple; guided the perilous skiff,


Ballads
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

at all except for an interruption at the left of the pass through which we had come. We had merely struck, at random, a limited part of something of incalculable extent. The foothills were more sparsely sprinkled with grotesque stone structures, linking the terrible city to the already familiar cubes and ramparts which evidently formed its mountain outposts. These latter, as well as the queer cave mouths, were as thick on the inner as on the outer sides of the mountains. The nameless stone labyrinth consisted, for the most part, of walls from ten to one hundred and fifty feet in ice-clear height, and of a thickness varying from five


At the Mountains of Madness