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Today's Stichomancy for Donald Trump

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Across The Plains by Robert Louis Stevenson:

us have passed Arcadian days there and moved on, but yet left a portion of our souls behind us buried in the woods. I would not dig for these reliquiae; they are incommunicable treasures that will not enrich the finder; and yet there may lie, interred below great oaks or scattered along forest paths, stores of youth's dynamite and dear remembrances. And as one generation passes on and renovates the field of tillage for the next, I entertain a fancy that when the young men of to-day go forth into the forest they shall find the air still vitalised by the spirits of their predecessors, and, like those "unheard melodies" that are the sweetest of all, the memory of our laughter shall still haunt the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

A gray figure glided past me and was silhouetted against the broken window.

Again the pistol sent its message into the night, and again came the reply to tell how well and truly that message had been delivered. In the stillness, intense by sharp contrast, the sound of bare soles pattering upon the path outside stole to me. Two runners, I thought there were, so that four dacoits must have been upon our trail. The room was full of pungent smoke. I staggered to my feet as the gray figure with the revolver turned towards me. Something familiar there was in that long, gray garment, and now I perceived why I had thought so.

It was my gray rain-coat.


The Insidious Dr. Fu-Manchu
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catriona by Robert Louis Stevenson:

singing, both in the Scots and in the Italian manners; this put me more at my ease, and being reminded of Alan's air that he had taught me in the hole near Carriden, I made so bold as to whistle a bar or two, and ask if she knew that.

She shook her head. "I never heard a note of it," said she. "Whistle it all through. And now once again," she added, after I had done so.

Then she picked it out upon the keyboard, and (to my surprise) instantly enriched the same with well-sounding chords, and sang, as she played, with a very droll expression and broad accent -

"Haenae I got just the lilt of it? Isnae this the tune that ye whustled?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

ape-man the latter pointed to the south, and there, some few hundred yards away, the black saw a number of huge black backs swaying back and forth above the top of the lofty jungle grasses. He pointed the direction to the watchers below, indicating with his fingers the number of beasts he could count.

Immediately the hunters started toward the elephants. The black in the tree hastened down, but Tarzan stalked, after his own fashion, along the leafy way of the middle terrace.

It is no child's play to hunt wild elephants with the crude weapons of primitive man. Tarzan knew that few native tribes ever attempted it, and the fact that his tribe did so


The Return of Tarzan