The first excerpt represents the past or something you must release, and is drawn from The $30,000 Bequest and Other Stories by Mark Twain: got one.
So I cried a little, which was natural, I suppose, for one of my age,
and after I was rested I got a basket and started for a place on the
extreme rim of the circle, where the stars were close to the ground
and I could get them with my hands, which would be better, anyway,
because I could gather them tenderly then, and not break them.
But it was farther than I thought, and at last I had go give it up;
I was so tired I couldn't drag my feet another step; and besides,
they were sore and hurt me very much.
I couldn't get back home; it was too far and turning cold;
but I found some tigers and nestled in among them and was most
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Heart of Darkness by Joseph Conrad: as far as I could see. They beguiled the time by back-biting and
intriguing against each other in a foolish kind of way. There was an air
of plotting about that station, but nothing came of it, of course.
It was as unreal as everything else--as the philanthropic pretence of the
whole concern, as their talk, as their government, as their show of work.
The only real feeling was a desire to get appointed to a trading-post
where ivory was to be had, so that they could earn percentages.
They intrigued and slandered and hated each other only on that account--
but as to effectually lifting a little finger--oh, no. By heavens! there
is something after all in the world allowing one man to steal a horse
while another must not look at a halter. Steal a horse straight out.
 Heart of Darkness |
The third excerpt represents the future or something you must embrace, and is drawn from From London to Land's End by Daniel Defoe: so well in their fancy, and had both so good judgment in the just
proportions of things, which are the principal beauties of a
garden, that it may be said they both ordered everything that was
done.
Here the fine parcel of limes which form the semicircle on the
south front of the house by the iron gates, looking into the park,
were by the dexterous hand of the head gardener removed, after some
of them had been almost thirty years planted in other places,
though not far off. I know the King of France in the decoration of
the gardens of Versailles had oaks removed, which by their
dimensions must have been above an hundred years old, and yet were
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