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Today's Stichomancy for Donald Trump

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

by the delicate little dimpled hand of Katrina Van Tassel.

Thus feeding his mind with many sweet thoughts and "sugared suppositions," he journeyed along the sides of a range of hills which look out upon some of the goodliest scenes of the mighty Hudson. The sun gradually wheeled his broad disk down in the west. The wide bosom of the Tappan Zee lay motionless and glassy, excepting that here and there a gentle undulation waved and prolonged the blue shallow of the distant mountain. A few amber clouds floated in the sky, without a breath of air to move them. The horizon was of a fine golden tint, changing gradually into a pure apple green, and from that into the deep blue of the mid-


The Legend of Sleepy Hollow
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Book of Remarkable Criminals by H. B. Irving:

necessary; there was no suggestion of his receiving any kind of pension. The future for a man of his years was dark enough. The author of several learned books, painstaking, scholarly, dull, he could hope to make but little money from literary work. Under a cold, reserved and silent exterior, Selby Watson concealed a violence of temper which he sought diligently to repress. His wife's temper was none of the best. Worried, depressed, hopeless of his future, he in all probability killed his wife in a sudden access of rage, provoked by some taunt or reproach on her part, and then, instead of calling in a policeman and telling him what he had done, made clumsy and ineffectual efforts to conceal his


A Book of Remarkable Criminals
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Statesman by Plato:

visions or pictures of them: he is seeking by the aid of dialectic only, to arrive at truth. He is deeply impressed with the importance of classification: in this alone he finds the true measure of human things; and very often in the process of division curious results are obtained. For the dialectical art is no respecter of persons: king and vermin-taker are all alike to the philosopher. There may have been a time when the king was a god, but he now is pretty much on a level with his subjects in breeding and education. Man should be well advised that he is only one of the animals, and the Hellene in particular should be aware that he himself was the author of the distinction between Hellene and Barbarian, and that the Phrygian would equally divide mankind into Phrygians and Barbarians,


Statesman
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 1984 by George Orwell:

top of his voice. He was confessing everything, even the things he had succeeded in holding back under the torture. He was relating the entire history of his life to an audience who knew it already. With him were the guards, the other questioners, the men in white coats, O'Brien, Julia, Mr Charrington, all rolling down the corridor together and shouting with laughter. Some dreadful thing which had lain embedded in the future had somehow been skipped over and had not happened. Everything was all right, there was no more pain, the last detail of his life was laid bare, understood, forgiven.

He was starting up from the plank bed in the half-certainty that he had heard O'Brien's voice. All through his interrogation, although he had


1984