| The first excerpt represents the past or something you must release, and is drawn from Another Study of Woman by Honore de Balzac: box with other ladies; royal favor could not raise them higher by a
hair's breadth; they glide unremarkable between the waters of the
citizen class and those of the nobility--not altogether noble nor
altogether /bourgeoises/," said the Marquise de Rochegude acridly.
"The press has fallen heir to the Woman," exclaimed Rastignac. "She no
longer has the quality of a spoken /feuilleton/--delightful calumnies
graced by elegant language. We read /feuilletons/ written in a dialect
which changes every three years, society papers about as mirthful as
an undertaker's mute, and as light as the lead of their type. French
conversation is carried on from one end of the country to the other in
a revolutionary jargon, through long columns of type printed in old
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from To-morrow by Joseph Conrad: whale. I've rigged ships, and prospected for gold,
and skinned dead bullocks,--and turned my back
on more money than the old man would have
scraped in his whole life. Ha, ha!"
He overwhelmed her. She pulled herself to-
gether and managed to utter, "Time to rest
now."
He straightened himself up, away from the wall,
and in a severe voice said, "Time to go."
But he did not move. He leaned back again,
and hummed thoughtfully a bar or two of an out-
To-morrow |
The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: the family. His countenance, I thought, wore a mingled
expression of low cunning and perplexity. He accosted me with
trepidation and passed on. The valet now threw open a door and
ushered me into the presence of his master.
The room in which I found myself was very large and lofty.
The windows were long, narrow, and pointed, and at so vast a dis-
tance from the black oaken floor as to be altogether inaccessible
from within. Feeble gleams of encrimsoned light made their way
through the trellised panes, and served to render sufficiently
distinct the more prominent objects around; the eye, however,
struggled in vain to reach the remoter angles of the chamber, or
The Fall of the House of Usher |
