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Today's Stichomancy for Douglas Adams

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wrecker by Stevenson & Osbourne:

gathered in my studio for the hour of trial. The master wore his many-hued rosette; he came attended by two of my French fellow-pupils--friends of mine and both considerable sculptors in Paris at this hour. "Corporal John" (as we used to call him) breaking for once those habits of study and reserve which have since carried him so high in the opinion of the world, had left his easel of a morning to countenance a fellow-countryman in some suspense. My dear old Romney was there by particular request; for who that knew him would think a pleasure quite complete unless he shared it, or not support a mortification more easily if he were present to console? The party was

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The American by Henry James:

with an air of politely suppressed irritation.

Lord Deepmere looked up as Newman approached, met his eyes, and changed color.

"I am afraid I disturb an interesting interview," said Newman.

Madame de Bellegarde rose, and her companion rising at the same time, she put her hand into his arm. She answered nothing for an instant, and then, as he remained silent, she said with a smile, "It would be polite for Lord Deepmere to say it was very interesting."

"Oh, I'm not polite!" cried his lordship. "But it was interesting."

"Madame de Bellegarde was giving you some good advice, eh?" said Newman; "toning you down a little?"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

approving eyes. His tanned skin was drawn attractively tight on his face and his short hair looked as though it were trimmed every day. I could see nothing sinister about him. I wondered if the fact that he was not drinking helped to set him off from his guests, for it seemed to me that he grew more correct as the fraternal hilarity increased. When the JAZZ HISTORY OF THE WORLD was over, girls were putting their heads on men's shoulders in a puppyish, convivial way, girls were swooning backward playfully into men's arms, even into groups, knowing that some one would arrest their falls--but no one swooned backward on Gatsby, and no French bob touched Gatsby's shoulder, and no singing quartets were formed with Gatsby's head for one link.


The Great Gatsby
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Voyage Out by Virginia Woolf:

her fingers. As Mrs. Flushing wanted to know all she could tell her about the birth and pursuits of every person she suggested, and threw in wild stories of her own as to the temperaments and habits of artists, and people of the same name who used to come to Chillingley in the old days, but were doubtless not the same, though they too were very clever men interested in Egyptology, the business took some time.

At last Mrs. Flushing sought her diary for help, the method of reckoning dates on the fingers proving unsatisfactory. She opened and shut every drawer in her writing-table, and then cried furiously, "Yarmouth! Yarmouth! Drat the woman!