| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from What is Man? by Mark Twain: commenting. Presently he dropped into my wake and followed along
behind. A little girl passed by, balancing a wash-board on her
head, and giggled, and seemed about to make a remark, but the boy
said, rebukingly, "Let him alone, he's going to a funeral."
I have been familiar with that street for years, and had
always supposed it was a dead level; but it was not, as the
bicycle now informed me, to my surprise. The bicycle, in the
hands of a novice, is as alert and acute as a spirit-level in the
detecting the delicate and vanishing shades of difference in
these matters. It notices a rise where your untrained eye would
not observe that one existed; it notices any decline which water
 What is Man? |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Seraphita by Honore de Balzac: resting her head, suddenly revived, upon the heart of her companion,
who, regulating his step to hers with gentle and attentive conformity,
led her to a spot whence they could see the radiant glories of the
polar Nature.
"Before I look, before I listen to you, tell me, Seraphitus, why you
repulse me. Have I displeased you? and how? tell me! I want nothing
for myself; I would that all my earthly goods were yours, for the
riches of my heart are yours already. I would that light came to my
eyes only though your eyes just as my thought is born of your thought.
I should not then fear to offend you, for I should give you back the
echoes of your soul, the words of your heart, day by day,--as we
 Seraphita |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Louis Lambert by Honore de Balzac: estimation, even after I read her book of really masculine power, /De
l'Allemagne/.
But Lambert at that time was an even greater wonder. Monsieur
Mareschal, the headmaster, after examining him, had thought of placing
him among the senior boys. It was Louis' ignorance of Latin that
placed him so low as the fourth class, but he would certainly leap up
a class every year; and, as a remarkable exception, he was to be one
of the "Academy." /Proh pudor/! we were to have the honor of counting
among the "little boys" one whose coat was adorned with the red ribbon
displayed by the "Academicians" of Vendome. These Academicians enjoyed
distinguished privileges; they often dined at the director's table,
 Louis Lambert |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from From the Earth to the Moon by Jules Verne: rise it had fallen upon the earth, or even in the Gulf of Mexico--
a fall which the narrowness of the peninsula of Florida would
render not impossible.
The case was serious, the problem interesting, and one that must
be solved as soon as possible. Thus, highly excited, Barbicane's
moral energy triumphed over physical weakness, and he rose to
his feet. He listened. Outside was perfect silence; but the
thick padding was enough to intercept all sounds coming from
the earth. But one circumstance struck Barbicane, viz., that
the temperature inside the projectile was singularly high.
The president drew a thermometer from its case and consulted it.
 From the Earth to the Moon |