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Today's Stichomancy for Douglas MacArthur

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Riders of the Purple Sage by Zane Grey:

don't!"

"I reckon not. But I wouldn't be afraid to bet that after she'd got over anger at your secrecy--Venters, she'd be furious once in her life!--she'd think more of you. I don't mind sayin' for myself that I think you're a good deal of a man."

In the further ascent Venters halted several times with the intention of saying good-by, yet he changed his mind and kept on climbing till they reached Balancing Rock. Lassiter examined the huge rock, listened to Venters's idea of its position and suggestion, and curiously placed a strong hand upon it.

"Hold on!" cried Venters. "I heaved at it once and have never


Riders of the Purple Sage
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Betty Zane by Zane Grey:

because l know you will understand, and I feel sure of your sympathy. My father wanted me to be a minister. He sent me to the theological seminary at Princeton, where for two years I tried to study. Then my father died. I went home and looked after things until my mother married again. That changed everything for me. I ran away and have since been a wanderer. I feel that I am not lazy, that I am not afraid of work, but four years have drifted by and I have nothing to show for it. I am discouraged. Perhaps that is wrong, but tell me how I can help it. I have not the stoicism of the hunter, Wetzel, nor have I the philosophy of your brother. I could not be content to sit on my doorstep and smoke my pipe and watch the wheat and corn grow. And then, this life of the borderman, environed as it is by untold dangers, leads me, fascinates me,


Betty Zane
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Long Odds by H. Rider Haggard:

reeds parting before the onward rush of some animal. 'Now for it,' said I. On it came. I could see that it was yellow, and prepared for action, when instead of a lion out bounded a beautiful reit bok which had been lying in the shelter of the pan. It must, by the way, have been a reit bok of a peculiarly confiding nature to lay itself down with the lion, like the lamb of prophesy, but I suppose the reeds were thick, and that it kept a long way off.

"Well, I let the reit bok go, and it went like the wind, and kept my eyes fixed upon the reeds. The fire was burning like a furnace now; the flames crackling and roaring as they bit into the reeds, sending spouts of fire twenty feet and more into the air, and making the hot air dance


Long Odds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Facino Cane by Honore de Balzac:

"May I die unshriven," he cried vehemently, "if all that I am about to tell you is not true. I was one-and-twenty years old, like you at this moment. I was rich, I was handsome, and a noble by birth. I began with the first madness of all--with Love. I loved as no one can love nowadays. I have hidden myself in a chest, at the risk of a dagger thrust, for nothing more than the promise of a kiss. To die for Her-- it seemed to me to be a whole life in itself. In 1760 I fell in love with a lady of the Vendramin family; she was eighteen years old, and married to a Sagredo, one of the richest senators, a man of thirty, madly in love with his wife. My mistress and I were guiltless as cherubs when the /sposo/ caught us together talking of love. He was