| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Aspern Papers by Henry James: her eyes rested upon me in the darkness. It embarrassed me
a little, and to turn the matter off I continued genially:
"Do let us sit down together comfortably somewhere, and you
will tell me all about her."
Miss Tita made no resistance to this. We found a bench
less secluded, less confidential, as it were, than the one
in the arbor; and we were still sitting there when I heard
midnight ring out from those clear bells of Venice which
vibrate with a solemnity of their own over the lagoon and hold
the air so much more than the chimes of other places.
We were together more than an hour, and our interview gave,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley: convenience, while Torquay was but a knot of fishing huts within a
lonely limestone cove. To get to it, though, we have passed many a
hidden treasure; for every ledge of these flat New-red-sandstone
rocks, if torn up with the crowbar, discloses in its cracks and
crannies nests of strange forms which shun the light of day;
beautiful Actiniae fill the tiny caverns with living flowers; great
Pholades (Plate X. figs. 3, 4) bore by hundreds in the softer
strata; and wherever a thin layer of muddy sand intervenes between
two slabs, long Annelid worms of quaintest forms and colours have
their horizontal burrows, among those of that curious and rare
radiate animal, the Spoonworm, (8) an eyeless bag about an inch
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Child of Storm by H. Rider Haggard: So I looked, examining Umbezi's ample proportions with care, but could
discover nothing except a large smudge of black mud, as though he had
sat down in a half-dried puddle. Then I guessed the truth. The
buffalo's horns had missed him. He had been struck only with its muddy
nose, which, being almost as broad as that portion of Umbezi with which
it came in contact, had inflicted nothing worse than a bruise. When I
was sure he had received no serious injury, my temper, already sorely
tried, gave out, and I administered to him the soundest smacking--his
position being very convenient--that he had ever received since he was a
little boy.
"Get up, you idiot!" I shouted, "and let us look for the others. This
 Child of Storm |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Road to Oz by L. Frank Baum: front door and dismounted, and the band stopped playing and went away
and the crowds of people returned to their dwellings.
By the time Dorothy and her friends had re-entered her room, the
Scarecrow was there, and he gave the girl a hearty embrace and shook
the hands of the others with his own squashy hands, which were white
gloves filled with straw.
The shaggy man, Button-Bright, and Polychrome stared hard at this
celebrated person, who was acknowledged to be the most popular and
most beloved man in all the Land of Oz.
"Why, your face has been newly painted!" exclaimed Dorothy, when the
first greetings were over.
 The Road to Oz |