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Today's Stichomancy for Dr. Phil

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gone With the Wind by Margaret Mitchell:

have him. The Yankee lay in the shallow pit Scarlett had scraped out under the scuppernong arbor. The uprights which held the thick vines were rotten and that night Scarlett hacked at them with the kitchen knife until they fell and the tangled mass ran wild over the grave. The replacing of these posts was one bit of repair work Scarlett did not suggest and, if the negroes knew why, they kept their silence.

No ghost rose from that shallow grave to haunt her in the long nights when she lay awake, too tired to sleep. No feeling of horror or remorse assailed her at the memory. She wondered why, knowing that even a month before she could never have done the


Gone With the Wind
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ozma of Oz by L. Frank Baum:

"Then lock her up," said Langwidere to her soldiers, and they led Dorothy to a high tower at the north of the palace and locked her securely within.

The soldiers afterward tried to lift Tiktok, but they found the machine so solid and heavy that they could not stir it. So they left him standing in the center of the drawing-room.

"People will think I have a new statue," said Langwidere, "so it won't matter in the least, and Nanda can keep him well polished."

"What shall we do with the hen?" asked the colonel, who had just discovered Billina in the work-basket.

"Put her in the chicken-house," answered the Princess. "Someday I'll


Ozma of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from From London to Land's End by Daniel Defoe:

the leg in the trap, which yet was so strong and so outrageous that the boy going too near him, he flew at him and frighted him, bit him, and beat him with his wings, for he was too strong for the boy; as the master ran from the decoy, so another manservant ran from the house, and finding a strange creature fast in the trap, not knowing what it was, laid at him with a great stick. The creature fought him a good while, but at length he struck him an unlucky blow which quieted him; after this we all came up to see what the matter, and found a monstrous eagle caught by the leg in the trap, and killed by the fellow's cudgel, as above.

When the master came to know what it was, and that his man had

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Burning Daylight by Jack London:

too patently a scheme of Harper's and Joe Ladue's, trying to entice prospecting in the vicinity of their town site and trading post. And who was Carmack? A squaw-man. And who ever heard of a squaw-man striking anything? And what was Bonanza Creek? Merely a moose pasture, entering the Klondike just above its mouth, and known to old-timers as Rabbit Creek. Now if Daylight or Bob Henderson had recorded claims and shown coarse gold, they'd known there was something in it. But Carmack, the squaw-man! And Skookum Jim! And Cultus Charlie! No, no; that was asking too much.