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Today's Stichomancy for Dr. Phil

The first excerpt represents the past or something you must release, and is drawn from The House of Dust by Conrad Aiken:

The sound of horns blows over the trampled grass, Shadows of dancers pass . . . The face smiles closer to hers, she tries to lean Backward, away, the eyes burn close and strange, The face is beginning to change,-- It is her lover, she no longer desires to resist, She is held and kissed. She closes her eyes, and melts in a seethe of flame . . . With a smoking ghost of shame . . .

Wind, wind, wind . . . Wind in an enormous brain Blowing dark thoughts like fallen leaves . . .

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mucker by Edgar Rice Burroughs:

period of her adventure, and revolving in his evil mind various possible schemes for turning the misfortune to his own advantage. Billy Byrne, sitting upon the corner of the galley table, hobnobbed with Blanco. These choice representatives of the ship's company were planning a raid on the skipper's brandy chest during the disembarkation which the sight of land had rendered not improbable.

The Halfmoon, with the wind down, wallowed heavily in the trough of the sea, but even so Barbara Harding, wearied with days of confinement in her stuffy cabin below, ventured above deck for a breath of sweet, clean air.


The Mucker
The third excerpt represents the future or something you must embrace, and is drawn from The Life of the Spider by J. Henri Fabre:

When the requisite thickness is obtained, the mother empties her ovaries, in one continuous flow, into the centre of the bowl. Glued together by their inherent moisture, the eggs, of a handsome orange-yellow, form a ball-shaped heap. The work of the spinnerets is resumed. The ball of germs is covered with a silk cap, fashioned in the same way as the saucer. The two halves of the work are so well joined that the whole constitutes an unbroken sphere.

The Banded Epeira and the Silky Epeira, those experts in the manufacture of rainproof textures, lay their eggs high up, on brushwood and bramble, without shelter of any kind. The thick


The Life of the Spider