| The first excerpt represents the past or something you must release, and is drawn from The Mysterious Affair at Styles by Agatha Christie: Poirot seized his hat, gave a ferocious twist to his moustache,
and, carefully brushing an imaginary speck of dust from his
sleeve, motioned me to precede him down the stairs; there we
joined the detectives and set out for Styles.
I think the appearance of the two Scotland Yard men was rather a
shock--especially to John, though of course after the verdict, he
had realized that it was only a matter of time. Still, the
presence of the detectives brought the truth home to him more
than anything else could have done.
Poirot had conferred with Japp in a low tone on the way up, and
it was the latter functionary who requested that the household,
 The Mysterious Affair at Styles |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson: Over Bashville the footman I howled with derision and delight; I
dote on Bashville - I could read of him for ever; DE BASHVILLE JE
SUIS LE FERVENT - there is only one Bashville, and I am his devoted
slave; BASHVILLE EST MAGNIFIQUE, MAIS IL N'EST GUERE POSSIBLE. He
is the note of the book. It is all mad, mad and deliriously
delightful; the author has a taste in chivalry like Walter Scott's
or Dumas', and then he daubs in little bits of socialism; he soars
away on the wings of the romantic griffon - even the griffon, as he
cleaves air, shouting with laughter at the nature of the quest -
and I believe in his heart he thinks he is labouring in a quarry of
solid granite realism.
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The third excerpt represents the future or something you must embrace, and is drawn from Macbeth by William Shakespeare: Death of thy Soule, those Linnen cheekes of thine
Are Counsailers to feare. What Soldiers Whay-face?
Ser. The English Force, so please you
Macb. Take thy face hence. Seyton, I am sick at hart,
When I behold: Seyton, I say, this push
Will cheere me euer, or dis-eate me now.
I haue liu'd long enough: my way of life
Is falne into the Seare, the yellow Leafe,
And that which should accompany Old-Age,
As Honor, Loue, Obedience, Troopes of Friends,
I must not looke to haue: but in their steed,
 Macbeth |