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Today's Stichomancy for Dwight Eisenhower

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe:

all lived in the city, though Norwich is a very large and populous city too: but, I say, they were employed for spinning the yarn used for such goods as were all made in that city. This account is curious enough, and very exact, but it is too long for the compass of this work.

This shows the wonderful extent of the Norwich manufacture, or stuff-weaving trade, by which so many thousands of families are maintained. Their trade, indeed, felt a very sensible decay, and the cries of the poor began to be very loud, when the wearing of painted calicoes was grown to such a height in England, as was seen about two or three years ago; but an Act of Parliament having been

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Allan Quatermain by H. Rider Haggard:

was in the canoe, should always be in the bows ready, if possible, to prevent us from being stove in against the side of the cave or any projecting rock. Umslopogaas, having already dined, took the first turn. This was absolutely, with one exception, all that we could do towards preserving our safety. The exception was that another of us took up a position in the stern with a paddle by means of which it was possible to steer the canoe more or less and to keep her from the sides of the cave. These matters attended to, we made a somewhat sparing meal off the cold buck's meat (for we did not know how long it might have to last us), and then feeling in rather better spirits I gave my opinion that,


Allan Quatermain
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

her about the wireless message.

And that was the way Dorothy heard that the Historian wanted to speak with her, and there was a Shaggy Man in the Land of Oz who knew how to telegraph a wireless reply. The result was that the Historian begged so hard to be told the latest news of Oz, so that he could write it down for the children to read, that Dorothy asked permission of Ozma and Ozma graciously consented.

That is why, after two long years of waiting, another Oz story is now presented to the children


The Patchwork Girl of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tono Bungay by H. G. Wells:

ones have grown bright and strong, so that the new England of our children's children is still a riddle to me. The ideas of democracy, of equality, and above all of promiscuous fraternity have certainly never really entered into the English mind. But what IS coming into it? All this book, I hope, will bear a little on that. Our people never formulates; it keeps words for jests and ironies. In the meanwhile the old shapes, the old attitudes remain, subtly changed and changing still, sheltering strange tenants. Bladesover House is now let furnished to Sir Reuben Lichtenstein, and has been since old Lady Drew died; it was my odd experience to visit there, in the house of which my