The first excerpt represents the past or something you must release, and is drawn from Helen of Troy And Other Poems by Sara Teasdale: Like burnished gold that still retains the fire.
Yea, I shall haunt until the dusk of time
The heavy eyelids filled with fleeting dreams.
I wait for one who comes with sword to slay --
The king I wronged who searches for me now;
And yet he shall not slay me. I shall stand
With lifted head and look within his eyes,
Baring my breast to him and to the sun.
He shall not have the power to stain with blood
That whiteness -- for the thirsty sword shall fall
And he shall cry and catch me in his arms,
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Unconscious Comedians by Honore de Balzac: in a little coupe with one horse. Take special note of my man, friend
Gazonal, and you'll see the comedy of money, the cold man who won't
give a penny, the hot man who snuffs a profit; listen to him
attentively!"
All three went up to the second floor of a fine-looking house on the
boulevard des Italiens, where they found themselves surrounded by the
elegances then in fashion. A young man about twenty-eight years of age
advanced to meet them with a smiling face, for he saw Leon de Lora
first. Vauvinet held out his hand with apparent friendliness to
Bixiou, and bowed coldly to Gazonal as he motioned them to enter his
office, where bourgeois taste was visible beneath the artistic
|
The third excerpt represents the future or something you must embrace, and is drawn from Where There's A Will by Mary Roberts Rinehart: squeezing my arm, "and because you're going back and forth in the
cold so much, I want you to have this--to keep."
She stooped and picked up from the snow beside the steps
something soft and furry and threw it around my neck, and the
next instant I knew she was giving me her chinchilla set, muff
and all. I was so pleased I cried, and all the way over to the
shelter-house I sniveled and danced with joy at the same time.
There's nothing like chinchilla to tone down red hair.
Well, I took the note out to the shelter-house, and rapped. Mr.
Dick let me in, and it struck me he wasn't as cheerful as usual.
He reached out and took the muff.
|