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Today's Stichomancy for Dwight Eisenhower

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

With lifted head and look within his eyes, Baring my breast to him and to the sun. He shall not have the power to stain with blood That whiteness -- for the thirsty sword shall fall And he shall cry and catch me in his arms, Bearing me back to Sparta on his breast. Lo, I shall live to conquer Greece again!


Send out the singers -- let the room be still; They have not eased my pain nor brought me sleep. Close out the sun, for I would have it dark

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Treasure Island by Robert Louis Stevenson:

Treasure Island
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Commentary on the Epistle to the Galatians by Martin Luther:

Word out of sight, you are helpless against the flesh. I know this to be a fact. I have been assailed by many violent passions, but as soon as I took hold of some Scripture passage, my temptations left me. Without the Word I could not have helped myself against the flesh.

VERSE 19. Now the works of the flesh are manifest, which are these.

Paul is saying: "That none of you may hide behind the plea of ignorance I will enumerate first the works of the flesh, and then also the works of the Spirit."

There were many hypocrites among the Galatians, as there are also among us, who pretend to be Christians and talk much about the Spirit, but they walk not according to the Spirit; rather according to the flesh. Paul is out

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

exacerbate the hatred in which it is already secretly held in England.

Fortunately, there are arts that cannot be cut off from the people by bad performances. We can read books for ourselves; and we can play a good deal of fine music for ourselves with the help of a pianola. Nothing stands between us and the actual handwork of the great masters of painting except distance; and modern photographic methods of reproduction are in some cases quite and in many nearly as effective in conveying the artist's message as a modern edition of Shakespear's plays is in conveying the message that first existed in his handwriting. The reproduction of great feats of musical execution is already on the way: the phonograph, for all its wheezing and snarling