| The first excerpt represents the past or something you must release, and is drawn from 1984 by George Orwell: espionage--the empirical approach is still encouraged, or at least
tolerated. The two aims of the Party are to conquer the whole surface of
the earth and to extinguish once and for all the possibility of independent
thought. There are therefore two great problems which the Party is
concerned to solve. One is how to discover, against his will, what another
human being is thinking, and the other is how to kill several hundred
million people in a few seconds without giving warning beforehand. In
so far as scientific research still continues, this is its subject matter.
The scientist of today is either a mixture of psychologist and inquisitor,
studying with real ordinary minuteness the meaning of facial expressions,
gestures, and tones of voice, and testing the truth-producing effects of
 1984 |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Songs of Travel by Robert Louis Stevenson: Listed the wind intone, and hear at last
The ever-welcome voice of chanticleer
Sing in the bitter hour before the dawn, -
With sudden ardour, these desire the day:
So sang in the gloom of youth the bird of hope;
So we, exulting, hearkened and desired.
For lo! as in the palace porch of life
We huddled with chimeras, from within -
How sweet to hear! - the music swelled and fell,
And through the breach of the revolving doors
What dreams of splendour blinded us and fled!
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The third excerpt represents the future or something you must embrace, and is drawn from Aeneid by Virgil: Some strong-built castle on a rising ground,
Views all th' approaches with observing eyes:
This and that other part in vain he tries,
And more on industry than force relies.
With hands on high, Entellus threats the foe;
But Dares watch'd the motion from below,
And slipp'd aside, and shunn'd the long descending blow.
Entellus wastes his forces on the wind,
And, thus deluded of the stroke design'd,
Headlong and heavy fell; his ample breast
And weighty limbs his ancient mother press'd.
 Aeneid |