Today's Stichomancy for Edgar Allan Poe
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson: our small company. Purge out of every heart the lurking grudge.
Give us grace and strength to forbear and to persevere. Offenders,
give us the grace to accept and to forgive offenders. Forgetful
ourselves, help us to bear cheerfully the forgetfulness of others.
Give us courage and gaiety and the quiet mind. Spare to us our
friends, soften to us our enemies. Bless us, if it may be, in all
our innocent endeavours. If it may not, give us the strength to
encounter that which is to come, that we be brave in peril,
constant in tribulation, temperate in wrath, and in all changes of
fortune, and, down to the gates of death, loyal and loving one to
another. As the clay to the potter, as the windmill to the wind,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Daughter of Eve by Honore de Balzac: sceptre; he spared her many cares and anxieties; she clung to him less
as a lover than a prop; she took care of him like a father, she
deceived him like a husband; but she would readily have sacrificed all
she had to him. Raoul could, and did do everything for her vanity as
an actress, for the peace of her self-love, and for her future on the
stage. Without the intervention of a successful author, there is no
successful actress; Champmesle was due to Racine, like Mars to Monvel
and Andrieux. Florine could do nothing in return for Raoul, though she
would gladly have been useful and necessary to him. She reckoned on
the charms of habit to keep him by her; she was always ready to open
her salons and display the luxury of her dinners and suppers for his
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from La Grenadiere by Honore de Balzac: invariably wound about her head in two plaits, a girlish coiffure
which suited the melancholy face. There was a deceptive look of calm
in the dark eyes, with the hollow, shadowy circles about them;
sometimes, when she was off her guard, their expression told of secret
anguish. The oval of her face was somewhat long; but happiness and
health had perhaps filled and perfected the outlines. A forced smile,
full of quiet sadness, hovered continually on her pale lips; but when
the children, who were always with her, looked up at their mother, or
asked one of the incessant idle questions which convey so much to a
mother's ears, then the smile brightened, and expressed the joys of a
mother's love. Her gait was slow and dignified. Her dress never
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Human Drift by Jack London: we could get clear. Two hours afterward, on San Pablo Bay, the
wind was piping up and we were reefing down. It is no fun to pick
up a skiff adrift in a heavy sea and gale. That was our next
task, for our skiff, swamping, parted both towing painters we had
bent on. Before we recovered it we had nearly killed ourselves
with exhaustion, and we certainly had strained the sloop in every
part from keelson to truck. And to cap it all, coming into our
home port, beating up the narrowest part of the San Antonio
Estuary, we had a shave of inches from collision with a big ship
in tow of a tug. I have sailed the ocean in far larger craft a
year at a time, in which period occurred no such chapter of moving
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