|The first excerpt represents the past or something you must release, and is drawn from The Phoenix and the Turtle by William Shakespeare:
From this session interdict
Every fowl of tyrant wing,
Save the eagle, feather'd king:
Keep the obsequy so strict.
Let the priest in surplice white,
That defunctive music can,
Be the death-defying swan,
Lest the requiem lack his right.
And thou, treble-dated crow,
That thy sable gender mak'st
With the breath thou giv'st and tak'st,
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from 1492 by Mary Johntson:
temples and palaces and banners afloat in this divine cool
wind of morning, many aboard us would have had now no
surprise, would have cried, ``Of course, I really knew it,
though for the fun of it I pretended otherwise!''
But others among us could not expect such as this after
the quiet night; no light before us save that one so soon
quenched, no stir of boat at all or large or small; an unearthly
quiet, a low land still as a sleeping marsh under
The light brightened. The water about us turned a blue
that none there had ever seen, so turquoise, so cerulean, so
|The third excerpt represents the future or something you must embrace, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:
He turned his face to the wall as if resolved to grimly bide
In the quarrel between husband and wife, the woman was victor.
The man grabbed his hat and rushed from the room, apparently
determined upon a vengeful drunk. She followed to the door and
thundered at him as he made his way down stairs.
She returned and stirred up the room until her children were
bobbing about like bubbles.
"Git outa deh way," she persistently bawled, waving feet
with their dishevelled shoes near the heads of her children.
She shrouded herself, puffing and snorting, in a cloud of steam
Maggie: A Girl of the Streets