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Today's Stichomancy for Edgar Allan Poe

The first excerpt represents the past or something you must release, and is drawn from The Secret Places of the Heart by H. G. Wells:

might be educating already on different lines--"

"Even in America," Miss Grammont said, "crops only grow on the ploughed land."

Section 8

Glastonbury in the afternoon was wonderful; they talked of Avalon and of that vanished legendary world of King Arthur and his knights, and in the early evening they came to Wells and a pleasant inn, with a quaint little garden before its front door that gave directly upon the cathedral. The three tourists devoted a golden half hour before dinner to the sculptures on the western face. The great screen of wrought

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Arizona Nights by Stewart Edward White:

an obvious and continuous landmark as the sea to our left. It hardly seemed worth while to focus my mind, but I did it occasionally just by way of testing myself. Schwartz still threw away his gold coins, and once, in one of my rare intervals of looking about me, I saw Denton picking them up. This surprised me mildly, but I was too tired to be very curious. Only now, when I saw Schwartz's arm sweep out in what had become a mechanical movement, I always took pains to look, and always I saw Denton search for the coin. Sometimes he found it, and sometimes he did not.

The third excerpt represents the future or something you must embrace, and is drawn from The Contrast by Royall Tyler:

I suppose she wishes to act.


No, no, no! A fig for sentiment. If she breaks, or wishes to break, with Mr. Dimple, depend upon it, she has some other man in her eye. A woman rarely dis- cards one lover until she is sure of another. Letitia little thinks what a clue I have to Dimple's conduct. The generous man submits to render himself disgust- ing to Maria, in order that she may leave him at lib- erty to address me. I must change the subject. [Aside, and rings a bell.