| The first excerpt represents the past or something you must release, and is drawn from Tao Teh King by Lao-tze: were (their rulers). In the next age they loved them and praised
them. In the next they feared them; in the next they despised them.
Thus it was that when faith (in the Tao) was deficient (in the rulers)
a want of faith in them ensued (in the people).
2. How irresolute did those (earliest rulers) appear, showing (by
their reticence) the importance which they set upon their words!
Their work was done and their undertakings were successful, while the
people all said, 'We are as we are, of ourselves!'
18. 1. When the Great Tao (Way or Method) ceased to be observed,
benevolence and righteousness came into vogue. (Then) appeared wisdom
and shrewdness, and there ensued great hypocrisy.
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gambara by Honore de Balzac: that glorious chorus of hell, made still more terrible by the long
trumpets,--a new method of instrumentation. The broken /cadenzas/
which give such force to Robert's scene, the /cavatina/ in the fourth
act, the /finale/ of the first, all hold me in the grip of a
supernatural power. No, not even Gluck's declamation ever produced so
prodigious an effect, and I am amazed by such skill and learning."
"Signor Maestro," said Andrea, smiling, "allow me to contradict you.
Gluck, before he wrote, reflected long; he calculated the chances, and
he decided on a plan which might be subsequently modified by his
inspirations as to detail, but hindered him from ever losing his way.
Hence his power of emphasis, his declamatory style thrilling with life
 Gambara |
The third excerpt represents the future or something you must embrace, and is drawn from Modeste Mignon by Honore de Balzac: strong man."
"May I lose that twenty-five sous if I have the slightest idea what
you are about," remarked Gobenheim. "You seem to me to be crazy."
"And yet it is all about a treasure," said Butscha, standing on tiptoe
to whisper in Gobenheim's ear.
"Dumay, I am sorry to say that I am still almost certain of what I
told you," persisted Madame Mignon.
"The burden of proof is now on you, madame," said Dumay, calmly; "it
is for you to prove that we are mistaken."
Discovering that the matter in question was only Modeste's honor,
Gobenheim took his hat, made his bow, and walked off, carrying his ten
 Modeste Mignon |