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Today's Stichomancy for Edward Norton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierrette by Honore de Balzac:

"Oh, here you are, /peakling/? You are like the dog of the marshal who woke up as soon as the saucepans rattled. Ha! you want us to think you are ill, you little liar!"

That idea: "You did not tell the truth about what happened in the square this morning, therefore you lie in everything," was a hammer with which Sylvie battered the head and also the heart of the poor girl incessantly.

To Pierrette's great astonishment Sylvie sent her to dress in her best clothes after dinner. The liveliest imagination is never up to the level of the activity which suspicion excites in the mind of an old maid. In this particular case, this particular old maid carried the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from War and the Future by H. G. Wells:

dangerous things, that I contemplate each year of my life with a deepening incredulity. I perceive we suffer them; I record the futile protests of the intelligence. It seems to me incredible that men should not rise up out of this muddy, bloody, wasteful mess of a world war, with a resolution to end for ever the shams, the prejudices, the pretences and habits that have impoverished their lives, slaughtered our sons, and wasted the world, a resolution so powerful and sustained that nothing could withstand it.

But it is not apparent that any such will arises. Does it appear at all? I find it hard to answer that question because my own

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Confidence by Henry James:

Bernard Longueville, who, however, was not easily dazzled by anything. It was because he regarded him in so plain and direct a fashion, that Bernard had an affection for his friend--an affection to which it would perhaps be difficult to assign a definite cause. Personal sympathies are doubtless caused by something; but the causes are remote, mysterious to our daily vision, like those of the particular state of the weather. We content ourselves with remarking that it is fine or that it rains, and the enjoyment of our likes and dislikes is by no means apt to borrow its edge from the keenness of our analysis. Longueville had a relish for fine quality--superior savour; and he was sensible of this merit in the simple, candid, manly,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Timaeus by Plato:

indulged respecting it. The Neo-Platonists, loyal to their master, like some commentators on the Christian Scriptures, sought to give an allegorical meaning to what they also believed to be an historical fact. It was as if some one in our own day were to convert the poems of Homer into an allegory of the Christian religion, at the same time maintaining them to be an exact and veritable history. In the Middle Ages the legend seems to have been half-forgotten until revived by the discovery of America. It helped to form the Utopia of Sir Thomas More and the New Atlantis of Bacon, although probably neither of those great men were at all imposed upon by the fiction. It was most prolific in the seventeenth or in the early part of the eighteenth century, when the human mind, seeking for