The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierrette by Honore de Balzac: "Oh, here you are, /peakling/? You are like the dog of the marshal who
woke up as soon as the saucepans rattled. Ha! you want us to think you
are ill, you little liar!"
That idea: "You did not tell the truth about what happened in the
square this morning, therefore you lie in everything," was a hammer
with which Sylvie battered the head and also the heart of the poor
girl incessantly.
To Pierrette's great astonishment Sylvie sent her to dress in her best
clothes after dinner. The liveliest imagination is never up to the
level of the activity which suspicion excites in the mind of an old
maid. In this particular case, this particular old maid carried the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from War and the Future by H. G. Wells: dangerous things, that I contemplate each year of my life with a
deepening incredulity. I perceive we suffer them; I record the
futile protests of the intelligence. It seems to me incredible
that men should not rise up out of this muddy, bloody, wasteful
mess of a world war, with a resolution to end for ever the shams,
the prejudices, the pretences and habits that have impoverished
their lives, slaughtered our sons, and wasted the world, a
resolution so powerful and sustained that nothing could withstand
it.
But it is not apparent that any such will arises. Does it appear
at all? I find it hard to answer that question because my own
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