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Today's Stichomancy for Eliza Dushku

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from United States Declaration of Independence:

new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shown, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security. --Such has been the patient sufferance of these Colonies; and such is now


United States Declaration of Independence
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Last War: A World Set Free by H. G. Wells:

'The government messages, sire, have all dropped into cipher,' he said. 'I have set a man----'

'LOOK!' interrupted the king, and pointed upward with a long, lean finger.

Pestovitch followed that indication and then glanced for one questioning moment at the white face before him.

'We have to face it out, sire,' he said.

For some moments they watched the steep spirals of the descending messengers, and then they began a hasty consultation....

They decided that to be holding a council upon the details of an ultimate surrender to Brissago was as innocent-looking a thing as


The Last War: A World Set Free
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Arizona Nights by Stewart Edward White:

springy jumps that carried them over the ground faster than appearances would lead one to believe. The cow-pony, his nose stretched out, his ears slanted, his eyes snapping with joy of the chase, flew fairly "belly to earth." The rider sat slightly forward, with the cowboy's loose seat. A whirl of dust, strangely insignificant against the immensity of a desert morning, rose from the flying group. Now they disappeared in a ravine, only to scramble out again the next instant, pace undiminished. The rider merely rose slightly and threw up his elbows to relieve the jar of the rough gully. At first the cattle seemed to hold their, own, but soon the horse began to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from McTeague by Frank Norris:

shook, a faint--a very faint--flush came into her withered cheeks, and her heart beat so violently under the worsted shawl that she felt obliged to shift the market-basket to her other arm and put out her free hand to steady herself against the rail.

On his part, Old Grannis was instantly overwhelmed with confusion. His awkwardness seemed to paralyze his limbs, his lips twitched and turned dry, his hand went tremblingly to his chin. But what added to Miss Baker's miserable embarrassment on this occasion was the fact that the old Englishman should meet her thus, carrying a sordid market-


McTeague