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Today's Stichomancy for Elizabeth Taylor

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Journal of the Plague Year by Daniel Defoe:

thrust so forcibly, he being but weak, and pushed him down backward. But very unhappily, she being so near, he caught hold of her and pulled her down also, and getting up first, mastered her and kissed her; and which was worst of all, when he had done, told her he had the plague, and why should not she have it as well as he? She was frighted enough before, being also young with child; but when she heard him say he had the plague, she screamed out and fell down into a swoon, or in a fit, which, though she recovered a little, yet killed her in a very few days; and I never heard whether she had the plague or no.

Another infected person came and knocked at the door of a citizen's house where they knew him very well; the servant let him in, and


A Journal of the Plague Year
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

warriors emerged from the forest, and when all were within the palisade the gates were closed and barred.

Many cooking pots were now in evidence about the village. Before each hut a woman presided over a boiling stew, while little cakes of plantain, and cassava puddings were to be seen on every hand.

Suddenly there came a hail from the edge of the clearing.

Tarzan looked.

It was a party of belated hunters returning from the north, and among them they half led, half carried a struggling animal.

As they approached the village the gates were thrown open


Tarzan of the Apes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales of Unrest by Joseph Conrad:

the strings of the guitar lying on the table; Karain's upright and motionless pose, his tone--all this made an impression that cannot be forgotten. He faced us across the table. His dark head and bronze torso appeared above the tarnished slab of wood, gleaming and still as if cast in metal. Only his lips moved, and his eyes glowed, went out, blazed again, or stared mournfully. His expressions came straight from his tormented heart. His words sounded low, in a sad murmur as of running water; at times they rang loud like the clash of a war-gong--or trailed slowly like weary travellers--or rushed forward with the speed of fear.

IV


Tales of Unrest
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart:

when, having hidden the trowsers under a doll buggy, I heard mother's voice at the door.

"Let me in, Barbara," she said.

I closed the closet door, and said: "What is it, mother?"

"Let me in."

So I let her in, and pretended I expected her to kiss me, which she had not yet, on account of the whooping cough. But she seemed to have forgotten that. Also the Kiss.

"Barbara," she said, in the meanest voice, "how long have you been smoking?"

Now I must pause to explain this. Had mother aproached me in a