| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Adventure by Jack London: the low doorway. He took a small bottle from his follower, and
sniffed strong ammonia to clear his senses for the ordeal. Then he
shouted, "Shut up!" and the clamour stilled. A raised platform of
forest slabs, six feet wide, with a slight pitch, extended the full
length of the shed. Alongside of it was a yard-wide run-way.
Stretched on the platform, side by side and crowded close, lay a
score of blacks. That they were low in the order of human life was
apparent at a glance. They were man-eaters. Their faces were
asymmetrical, bestial; their bodies were ugly and ape-like. They
wore nose-rings of clam-shell and turtle-shell, and from the ends
of their noses which were also pierced, projected horns of beads
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Falk by Joseph Conrad: expressed in shape, in size, in attitude--that is by
a straight appeal to the senses. His mind mean-
time, preoccupied with respectability, quailed be-
fore Schomberg's tongue and seemed absolutely
impervious to my protestations; and I went so far
as to protest that I would just as soon think of
marrying my mother's (dear old lady!) faithful
female cook as Hermann's niece. Sooner, I pro-
tested, in my desperation, much sooner; but it did
not appear that he saw anything outrageous in the
proposition, and in his sceptical immobility he
 Falk |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson: would peer in at us through the open windows, and often we were
forced to pause until the strangely savage, monotonous noise of the
native drums had ceased; but no Samoan, nor, I trust, white person,
changed his reverent attitude. Once, I remember a look of
surprised dismay crossing the countenance of Tusitala when my son,
contrary to his usual custom of reading the next chapter following
that of yesterday, turned back the leaves of his Bible to find a
chapter fiercely denunciatory, and only too applicable to the
foreign dictators of distracted Samoa. On another occasion the
chief himself brought the service to a sudden check. He had just
learned of the treacherous conduct of one in whom he had every
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Oakdale Affair by Edgar Rice Burroughs: he would not have had the youth otherwise if he could
not have changed him. Ordinarily he accepted male
cowardice with the resignation of surfeited disgust; but
in the case of The Oskaloosa Kid he realized a certain
artless charm which but tended to strengthen his lik-
ing for the youth, so brazen and unaffected was the
boy's admission of his terror of both the real and the
unreal menaces of this night of horror.
That the girl also was well bred was quite evident
to Bridge, while both the girl and the youth realized the
refinement of the strange companion and protector
 The Oakdale Affair |