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Today's Stichomancy for Elvis Presley

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

down on the form silhouetted there, West did a peculiar thing. Despite the obvious danger of attracting notice and bringing down on our heads the dreaded police investigation -- a thing which after all was mercifully averted by the relative isolation of our cottage -- my friend suddenly, excitedly, and unnecessarily emptied all six chambers of his revolver into the nocturnal visitor.

For that visitor was neither Italian nor policeman. Looming hideously against the spectral moon was a gigantic misshapen thing not to be imagined save in nightmares -- a glassy-eyed, ink-black apparition nearly on all fours, covered with bits of mould, leaves, and vines, foul with caked blood, and having between its glistening


Herbert West: Reanimator
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Astoria by Washington Irving:

lower terms than were allowed to white men. Ignace Shonowane had, in this way, followed the enterprise of the company to the banks of the Spokan, being, probably, one of the first of his tribe that had traversed the Rocky Mountains.

Such were some of the motley populace of the wilderness, incident to the fur trade, who were gradually attracted to the new settlement of Astoria.

The month of October now began to give indications of approaching winter. Hitherto, the colonists had been well pleased with the climate. The summer had been temperate, the mercury never rising above eighty degrees. Westerly winds had prevailed during the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Vision Splendid by William MacLeod Raine:

of his hand felt as if they were being ground to powder.

"Do I get in your way, sir?" he asked innocently.

"Do you?" boomed the deep bass of the railroader. "You and that mad brother of yours."

"He's my cousin," James explained.

"Brother or cousin, he's got to get off the track or be run over. And you, too, with that smooth tongue of yours."

Farnum laughed. "Jeff's pretty solid. He may ditch the train, sir."

"No!" roared Powers. "He'll be flung into the ditch." He turned abruptly to Frome. "Peter, take me to a room where I can talk to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

that my weekly interviews, at least in one respect, cause me the bitterest pain. He was present when the Sphere manifested himself in the Council Chamber; he saw the Sphere's changing sections; he heard the explanation of the phenomena then given to the Circles. Since that time, scarcely a week has passed during seven whole years, without his hearing from me a repetition of the part I played in that manifestation, together with ample descriptions of all the phenomena in Spaceland, and the arguments for the existence of Solid things derivable from Analogy. Yet -- I take shame to be forced to confess it -- my brother has not yet grasped the nature of the Third Dimension, and frankly avows his disbelief


Flatland: A Romance of Many Dimensions