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Today's Stichomancy for Elvis Presley

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Young Forester by Zane Grey:

the President and Jim Williams after him."

"Dick, I want the rings in Greaser's ears."

"What for? They're only brass."

"Souvenirs. Maybe I'll have watch-charms made of them. Anyway, I can show them to my friends back East."

"It'll be great--what you'll have to tell," went on Dick. "It'll be funny, too."

Greaser had begun to snarl viciously, and Herky and Bill looked glum and thoughtful. The arrival of Bud interrupted the conversation and put an end to our playful mood. We heard a little of what he told his comrades, and gathered that Jim Williams had met Stockton and had asked questions hard to


The Young Forester
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Statesman by Plato:

experience, as the proverb says, that 'the more haste the worse speed.'

And now let us begin again at the art of managing herds. You have probably heard of the fish-preserves in the Nile and in the ponds of the Great King, and of the nurseries of geese and cranes in Thessaly. These suggest a new division into the rearing or management of land-herds and of water-herds:-- I need not say with which the king is concerned. And land-herds may be divided into walking and flying; and every idiot knows that the political animal is a pedestrian. At this point we may take a longer or a shorter road, and as we are already near the end, I see no harm in taking the longer, which is the way of mesotomy, and accords with the principle which we were laying down. The tame, walking, herding animal, may be divided


Statesman
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Across The Plains by Robert Louis Stevenson:

medium; and I like to think of him standing back upon the bridge, when all was finished, drinking in the general effect and (like Gibbon) already lamenting his employment.

The same bridge saw another sight in the seventeenth century. Mr. Thomson, the "curat" of Anstruther Easter, was a man highly obnoxious to the devout: in the first place, because he was a "curat"; in the second place, because he was a person of irregular and scandalous life; and in the third place, because he was generally suspected of dealings with the Enemy of Man. These three disqualifications, in the popular literature of the time, go hand in hand; but the end of Mr. Thomson was a thing quite by itself,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Riders of the Purple Sage by Zane Grey:

Here he faced a notch in the cliff. At the apex he turned abruptly into a ragged vent that split the ponderous wall clear to the top, showing a narrow streak of blue sky.

At the base this vent was dark, cool, and smelled of dry, musty dust. It zigzagged so that he could not see ahead more than a few yards at a time. He noticed tracks of wildcats and rabbits in the dusty floor. At every turn he expected to come upon a huge cavern full of little square stone houses, each with a small aperture like a staring dark eye. The passage lightened and widened, and opened at the foot of a narrow, steep, ascending chute.

Venters had a moment's notice of the rock, which was of the same


Riders of the Purple Sage