Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Elvis Presley

The first excerpt represents the past or something you must release, and is drawn from The Mansion by Henry van Dyke:

unsafe places, but into safe places. A most comforting doctrine!

He had always followed it. Moths and rust and thieves had done no harm to his investments.

John Weightman's drooping eyes turned to the next verse, at the top of the second column.

"But lay up for yourselves treasures in heaven."

Now what had the Doctor said about that? How was it to be understood--in what sense--treasures--in heaven?

The book seemed to float away from him. The light vanished. He wondered dimly if this could be Death, coming so suddenly, so

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Great God Pan by Arthur Machen:

"Her flight remains a mystery to this day; she vanished in broad sunlight; they saw her walking in a meadow, and a few moments later she was not there."

Clarke tried to conceive the thing again, as he sat by the fire, and again his mind shuddered and shrank back, appalled before the sight of such awful, unspeakable elements enthroned as it were, and triumphant in human flesh. Before him stretched the long dim vista of the green causeway in the forest, as his friend had described it; he saw the swaying leaves and the quivering shadows on the grass, he saw the sunlight and the flowers, and far away, far in the long


The Great God Pan
The third excerpt represents the future or something you must embrace, and is drawn from Christ in Flanders by Honore de Balzac:

like ants on an ant-heap. Some were eager to rescue books from oblivion or to copy manuscripts, others were helping the poor, but nearly all were studying. Up above this countless multitude rose giant statues that they had erected in their midst, and by the gleams of a strange light from some luminary as powerful as the sun, I read the inscriptions on the bases of the statues--Science, History, Literature.

The light died out. Again I faced the young girl. Gradually she slipped into the dreary sheath, into the ragged cere-cloths, and became an aged woman again. Her familiar brought her a little dust, and she stirred it into the ashes of her chafing-dish, for the weather