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Today's Stichomancy for Emiliano Zapata

The first excerpt represents the past or something you must release, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

the sky. The wind had veered more to the north, and no longer reached me in the glen; but as I was going on with my preparations, it drove a white cloud very swiftly over the hill-top; and looking up, I was surprised to see the cloud dyed with gold. In these high regions of the air, the sun was already shining as at noon. If only the clouds travelled high enough, we should see the same thing all night long. For it is always daylight in the fields of space.

As I began to go up the valley, a draught of wind came down it out of the seat of the sunrise, although the clouds continued to run overhead in an almost contrary direction. A few steps farther, and I saw a whole hillside gilded with the sun; and still a little

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

his shirt-sleeves was kneeling, hammering. The dog trotted forward with a short, sharp bark, and the keeper lifted his face suddenly and saw her. He had a startled look in his eyes.

He straightened himself and saluted, watching her in silence, as she came forward with weakening limbs. He resented the intrusion; he cherished his solitude as his only and last freedom in life.

'I wondered what the hammering was,' she said, feeling weak and breathless, and a little afraid of him, as he looked so straight at her.

'Ah'm gettin' th' coops ready for th' young bods,' he said, in broad vernacular.


Lady Chatterley's Lover
The third excerpt represents the future or something you must embrace, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

treatment of the subject.]

FROM his shoulder Hiawatha Took the camera of rosewood, Made of sliding, folding rosewood; Neatly put it all together. In its case it lay compactly, Folded into nearly nothing;

But he opened out the hinges, Pushed and pulled the joints and hinges, Till it looked all squares and oblongs, Like a complicated figure