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Today's Stichomancy for Eminem

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Paz by Honore de Balzac:

"Excuse me for leaving you."

"What do you mean? Where are you going?"

The thought of a heroic falsehood had come into his head.

"I--I am going to the Circus in the Champs Elysees; it opens to-night, and I can't miss it."

"Why not?" said Clementine, questioning him by a look that was half- anger.

"Must I tell you why?" he said, coloring; "must I confide to you what I hide from Adam, who thinks my only love is Poland."

"Ah! a secret in our noble captain?"

"A disgraceful one--which you will perhaps understand, and pity."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Under the Red Robe by Stanley Weyman:

not now be alive. But when he said a few minutes ago that he was glad--glad of it, d--him!--then I fixed it in my mind that I would be even with him. And I am going to be!'

'What do you mean?' Mademoiselle asked, wearily interrupting him. 'If you think that you can prejudice me against this gentleman--'

'That is precisely what I am going to do! And a little more than that!' he answered.

'You will be only wasting your breath!' she retorted.

'Wait! Wait, Mademoiselle---until you have heard,' he said. 'For I swear to you that if ever a black-hearted scoundrel, a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

staccato, I think. Then you sail into the musette.

N.B. - Where I have put an 'A,' is that a dominant eleventh, or what? or just a seventh on the D? and if the latter, is that allowed? It sounds very funny. Never mind all my questions; if I begin about music (which is my leading ignorance and curiosity), I have always to babble questions: all my friends know me now, and take no notice whatever. The whole piece is marked allegro; but surely could easily be played too fast? The dignity must not be lost; the periwig feeling.

Letter: TO THOMAS STEVENSON

[SKERRYVORE, BOURNEMOUTH, March 1886.]

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Within the Tides by Joseph Conrad:

minute or so passes. This won't do, mutters the coxswain. Suddenly Stafford speaks up in a sort of hollow voice: I was by when he told Mr. Cloete here that he didn't know how he would ever have the courage to leave the old ship; didn't he, now? . . . And Cloete feels his arm being gripped quietly in the dark. . . Didn't he now? We were standing together just before you went over, Mr. Cloete? . . .

"Just then the coxswain cries out: I'm going on board to see. . . Cloete tears his arm away: I am going with you. . .

"When they get aboard, the coxswain tells Cloete to go aft along one side of the ship and he would go along the other so as not to


Within the Tides