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Today's Stichomancy for Eminem

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Seraphita by Honore de Balzac:

"Is he harmed?" cried Minna.

"The devils hope and try to conquer her," replied the old man.

The words made Wilfrid's pulses throb.

"For the last five hours she has stood erect, her eyes raised to heaven and her arms extended; she suffers, she cries to God. I cannot cross the barrier; Hell has posted the Vertumni as sentinels. They have set up an iron wall between her and her old David. She wants me, but what can I do? Oh, help me! help me! Come and pray!"

The old man's despair was terrible to see.

"The Light of God is defending her," he went on, with infectious faith, "but oh! she might yield to violence."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mansion by Henry van Dyke:

can't afford to be without public spirit. But on the whole I prefer a building, or an endowment. There is a mutual advantage to a good name and a good institution in their connection in the public mind. It helps them both. Remember that, my boy. Of course at the beginning you will have to practise it in a small way; later, you will have

larger opportunities. But try to put your gifts where they can be identified and do good all around. You'll see the wisdom of it

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twelve Stories and a Dream by H. G. Wells:

and balloons expanded to a considerable height, might then contract its balloons and let the air into its frame, and by an adjustment of its weights slide down the air in any desired direction. As it fell it would accumulate velocity and at the same time lose weight, and the momentum accumulated by its down-rush could be utilised by means of a shifting of its weights to drive it up in the air again as the balloons expanded. This conception, which is still the structural conception of all successful flying machines, needed, however, a vast amount of toil upon its details before it could actually be realised, and such toil Filmer--as he was accustomed to tell the numerous interviewers who crowded upon him in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great God Pan by Arthur Machen:

a few drops of some oily fluid into a green phial, which he stoppered tightly.

"You have been dozing," he said; "the journey must have tired you out. It is done now. I am going to fetch Mary; I shall be back in ten minutes."

Clarke lay back in his chair and wondered. It seemed as if he had but passed from one dream into another. He half expected to see the walls of the laboratory melt and disappear, and to awake in London, shuddering at his own sleeping fancies. But at last the door opened, and the doctor returned, and behind him came a girl of about seventeen, dressed all in white. She

The Great God Pan