| The first excerpt represents the past or something you must release, and is drawn from The Golden Threshold by Sarojini Naidu: Hath crushed thee down to thy hidden root;
Nought shall restore thy glory fled . . .
Shall the blossom live when the tree is dead?
Life of my life, Death's bitter sword
Hath severed us like a broken word,
Rent us in twain who are but one . .
Shall the flesh survive when the soul is gone?
SONGS FOR MUSIC
SONG OF A DREAM
Once in the dream of a night I stood
Lone in the light of a magical wood,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The New Machiavelli by H. G. Wells: about me, in the cheerful waitresses at the inns, in the pedestrians
one encountered in the tracks, in the chance fellow travellers at
the hotel tables. "Confound it!" said I, and talked all the more
zealously of that greater England that was calling us.
I remember that we passed two Germans, an old man and a tall fair
girl, father and daughter, who were walking down from Saas. She
came swinging and shining towards us, easy and strong. I worshipped
her as she approached.
"Gut Tag!" said Willersley, removing his hat.
"Morgen!" said the old man, saluting.
I stared stockishly at the girl, who passed with an indifferent
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The third excerpt represents the future or something you must embrace, and is drawn from The Man that Corrupted Hadleyburg by Mark Twain: deserved--"
"Never!--I make oath--"
"Out of my heart I forgive him."
Burgess's impassioned protestations fell upon deaf ears; the dying
man passed away without knowing that once more he had done poor
Burgess a wrong. The old wife died that night.
The last of the sacred Nineteen had fallen a prey to the fiendish
sack; the town was stripped of the last rag of its ancient glory.
Its mourning was not showy, but it was deep.
By act of the Legislature--upon prayer and petition--Hadleyburg was
allowed to change its name to (never mind what--I will not give it
 The Man that Corrupted Hadleyburg |