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Today's Stichomancy for Eric Bana

The first excerpt represents the past or something you must release, and is drawn from Seraphita by Honore de Balzac:

the Path. Reaching the end of thy journey thou shalt hear the clarions of omnipotence sounding the cries of victory in chords of which a single one would shake the earth, but which are lost in the spaces of a world that hath neither east nor west.

"Canst thou comprehend, my poor beloved Tried-one, that unless the torpor and the veils of sleep had wrapped thee, such sights would rend and bear away thy mind as the whirlwinds rend and carry into space the feeble sails, depriving thee forever of thy reason? Dost thou understand that the Soul itself, raised to its utmost power can scarcely endure in dreams the burning communications of the Spirit?

"Speed thy way through the luminous spheres; behold, admire, hasten!


Seraphita
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gambara by Honore de Balzac:

acts on grains of fine sand lying on stretched parchment so as to distribute them in geometrical figures that are always the same, according to the pitch,--quite regular when the combination is a true chord, and indefinite when the sounds are dissonant,--I say that music is an art conceived in the very bowels of nature.

"Music is subject to physical and mathematical laws. Physical laws are but little known, mathematics are well understood; and it is since their relations have been studied, that the harmony has been created to which we owe the works of Haydn, Mozart, Beethoven, and Rossini, grand geniuses, whose music is undoubtedly nearer to perfection than that of their precursors, though their genius, too, is unquestionable.


Gambara
The third excerpt represents the future or something you must embrace, and is drawn from The Vision Splendid by William MacLeod Raine:

a line of steamers between Verden and the Orient.

"To be submerged in the huddle of humanity. No, thank you."

"But the opportunities are so much greater there for a man of ability."

"Oh, ability!" he derided. "New York is loaded to the water line with ability in garrets living on crusts. To win out there a man must have a pull, or he must have the instinct for making money breed, for taking what other men earn."

She studied him, a good-looking, alert American, sheet-armored in the twentieth century polish of selfishness, with an inordinate appetite for success. Certainly he looked every inch a winner.