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Today's Stichomancy for Eric Bana

The first excerpt represents the past or something you must release, and is drawn from War and Peace by Leo Tolstoy:

become of him? Is he alive?...

"When loving with human love one may pass from love to hatred, but divine love cannot change. No, neither death nor anything else can destroy it. It is the very essence of the soul. Yet how many people have I hated in my life? And of them all, I loved and hated none as I did her." And he vividly pictured to himself Natasha, not as he had done in the past with nothing but her charms which gave him delight, but for the first time picturing to himself her soul. And he understood her feelings, her sufferings, shame, and remorse. He now understood for the first time all the cruelty of his rejection of her, the cruelty of his rupture with her. "If only it were possible for


War and Peace
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Red Badge of Courage by Stephen Crane:

youth's friend lay down, buried his face in his

154 arms, and almost instantly, it seemed, he was in a deep sleep.

The youth leaned his breast against the brown dirt and peered over at the woods and up and down the line. Curtains of trees interfered with his ways of vision. He could see the low line of trenches but for a short distance. A few idle flags were perched on the dirt hills. Behind them were rows of dark bodies with a few heads


The Red Badge of Courage
The third excerpt represents the future or something you must embrace, and is drawn from Silas Marner by George Eliot:

purple wealth above the lichen-tinted walls, and when there were calves still young enough to want bucketfuls of fragrant milk. People were not so busy then as they must become when the full cheese-making and the mowing had set in; and besides, it was a time when a light bridal dress could be worn with comfort and seen to advantage.

Happily the sunshine fell more warmly than usual on the lilac tufts the morning that Eppie was married, for her dress was a very light one. She had often thought, though with a feeling of renunciation, that the perfection of a wedding-dress would be a white cotton, with the tiniest pink sprig at wide intervals; so that when Mrs. Godfrey


Silas Marner