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Today's Stichomancy for Erwin Schroedinger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wheels of Chance by H. G. Wells:

when she came down to him in the morning, kindly, quiet. But ought he to have persuaded her then to return to her home? He remembered some intention of the sort. Now these people snatched her away from him as though he was scarcely fit to live in the same world with her. No more he was! He felt he had presumed upon her worldly ignorance in travelling with her day after day. She was so dainty, so delightful, so serene. He began to recapitulate her expressions, the light of her eyes, the turn of her face . . .

He wasn't good enough to walk in the same road with her. Nobody was. Suppose they let him say good-bye to her; what could he say?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Village Rector by Honore de Balzac:

longer any occasion to fear drought.

During this year a man from Montegnac started a diligence between the chief town of the arrondissement and Limoges, leaving both places each day. Monsieur Clousier's nephew sold his office and obtained a license as notary in Montegnac. The government appointed Fresquin collector of the district. The new notary built himself a pretty house in the upper part of Montegnac, planted mulberries in the grounds, and became after a time assistant-mayor to his friend Gerard.

The engineer, encouraged by so much success, now conceived a scheme of a nature to render Madame Graslin's fortune colossal,--she herself having by this time recovered possession of the income which had been

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

thought it possible that Knoll knew perfectly well that it was a lifeless body he was robbing. He had believed it at least until the moment when he stood looking down at the sleeping tramp. Now, with the deep knowledge of the human heart which was his by instinct and which his profession had increased a thousand-fold, Muller knew that this man before him had no heavy crime upon his conscience - that it was really as he had said - that he had taken the watch and purse from one whom he believed to be intoxicated only. Of course it was not a very commendable deed for which the tramp was now in prison, but it was slight in comparison to the crimes of which he was suspected.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wife, et al by Anton Chekhov:

elegant, intelligent, and modest man, and a capital elocutionist, and who taught Olga Ivanovna to recite; there was a singer from the opera, a good-natured, fat man who assured Olga Ivanovna, with a sigh, that she was ruining herself, that if she would take herself in hand and not be lazy she might make a remarkable singer; then there were several artists, and chief among them Ryabovsky, a very handsome, fair young man of five-and-twenty who painted genre pieces, animal studies, and landscapes, was successful at exhibitions, and had sold his last picture for five hundred roubles. He touched up Olga Ivanovna's sketches, and used to say she might do something. Then a violoncellist, whose