Today's Stichomancy for Eva Mendes

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ruling Passion by Henry van Dyke:

The strongest impulse in his nature was to be a giver of entertaininent, a source of joy in others, a recognized element of delight in the little world where he moved. He had the artistic temperament in its most primitive and naive form. Nothing pleased him so much as the act of pleasing. Music was the means which Nature had given him to fulfil this desire. He played, as you might say, out of a certain kind of selfishness, because he enjoyed making other people happy. He was selfish enough, in his way, to want the pleasure of making everybody feel the same delight that he felt in the clear tones, the merry cadences, the tender and caressing flow of his violin. That was consolation. That was power. That was

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Prufrock/Other Observations by T. S. Eliot:

Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him.

Half-past three, The lamp sputtered, The lamp muttered in the dark.

The lamp hummed:

Prufrock/Other Observations

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London:

have been here.

FITZSIMMONS. Hurry up.

[MAUD hastily puts cigarette case in her pocket and begins to sing.]

SONG

[During the song FITZSIMMONS turns his head slowly and looks at her with growing admiration.]

MAUD. How did you like it?

FITZSIMMONS. [Gruffly.] Rotten. Anybody could tell it was a boy's voice -

MAUD. Oh!

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Apology by Plato:

prepare a defence, and also that Socrates himself declared this to be unnecessary, on the ground that all his life long he had been preparing against that hour. For the speech breathes throughout a spirit of defiance, (ut non supplex aut reus sed magister aut dominus videretur esse judicum' (Cic. de Orat.); and the loose and desultory style is an imitation of the 'accustomed manner' in which Socrates spoke in 'the agora and among the tables of the money-changers.' The allusion in the Crito may, perhaps, be adduced as a further evidence of the literal accuracy of some parts. But in the main it must be regarded as the ideal of Socrates, according to Plato's conception of him, appearing in the greatest and most public scene of his life, and in the height of his triumph, when he is weakest, and yet