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Today's Stichomancy for Faith Hill

The first excerpt represents the past or something you must release, and is drawn from Sophist by Plato:

or denial which follows this, and imagination is only the expression of this in some form of sense. All of them are akin to speech, and therefore, like speech, admit of true and false. And we have discovered false opinion, which is an encouraging sign of our probable success in the rest of the enquiry.

Then now let us return to our old division of likeness-making and phantastic. When we were going to place the Sophist in one of them, a doubt arose whether there could be such a thing as an appearance, because there was no such thing as falsehood. At length falsehood has been discovered by us to exist, and we have acknowledged that the Sophist is to be found in the class of imitators. All art was divided originally by us

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Jungle by Upton Sinclair:

wife--and offering his father's two horses he had been sent to the fair to sell. But Ona's father proved as a rock--the girl was yet a child, and he was a rich man, and his daughter was not to be had in that way. So Jurgis went home with a heavy heart, and that spring and summer toiled and tried hard to forget. In the fall, after the harvest was over, he saw that it would not do, and tramped the full fortnight's journey that lay between him and Ona.

He found an unexpected state of affairs--for the girl's father had died, and his estate was tied up with creditors; Jurgis' heart leaped as he realized that now the prize was within his reach. There was Elzbieta Lukoszaite, Teta, or Aunt, as they called her, Ona's stepmother, and there

The third excerpt represents the future or something you must embrace, and is drawn from The Time Machine by H. G. Wells:

unemployed problem, no social question left unsolved. And a great quiet had followed.

`It is a law of nature we overlook, that intellectual versatility is the compensation for change, danger, and trouble. An animal perfectly in harmony with its environment is a perfect mechanism. Nature never appeals to intelligence until habit and instinct are useless. There is no intelligence where there is no change and no need of change. Only those animals partake of intelligence that have to meet a huge variety of needs and dangers.

`So, as I see it, the Upper-world man had drifted towards his


The Time Machine