| The first excerpt represents the past or something you must release, and is drawn from Grimm's Fairy Tales by Brothers Grimm: 'Hark ye, Frederick, we will soon get the gold back: let us run after
the thieves.' 'Well, we will try,' answered he; 'but take some butter
and cheese with you, that we may have something to eat by the way.'
'Very well,' said she; and they set out: and as Frederick walked the
fastest, he left his wife some way behind. 'It does not matter,'
thought she: 'when we turn back, I shall be so much nearer home than
he.'
Presently she came to the top of a hill, down the side of which there
was a road so narrow that the cart wheels always chafed the trees on
each side as they passed. 'Ah, see now,' said she, 'how they have
bruised and wounded those poor trees; they will never get well.' So
 Grimm's Fairy Tales |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs: so quickly to the concealing verdure at the side that
the deer was still unaware of the presence of an enemy
in this direction, and while the animal was still some
distance away, the ape-man swung into the lower
branches of the tree which overhung the trail. There
he crouched, a savage beast of prey, awaiting the
coming of its victim.
What had frightened the deer into so frantic a retreat,
Tarzan did not know--Numa, the lion, perhaps, or
Sheeta, the panther; but whatsoever it was mattered
little to Tarzan of the Apes--he was ready and willing
 Tarzan and the Jewels of Opar |
The third excerpt represents the future or something you must embrace, and is drawn from A Personal Record by Joseph Conrad: his own existence; for that such was his purpose is palpably,
even grossly, visible to an unprejudiced eye. But then, you see,
the man was not a writer of fiction. He was an artless moralist,
as is clearly demonstrated by his anniversaries being celebrated
with marked emphasis by the heirs of the French Revolution, which
was not a political movement at all, but a great outburst of
morality. He had no imagination, as the most casual perusal of
"Emile" will prove. He was no novelist, whose first virtue is
the exact understanding of the limits traced by the reality of
his time to the play of his invention. Inspiration comes from
the earth, which has a past, a history, a future, not from the
 A Personal Record |