| The first excerpt represents the past or something you must release, and is drawn from Fables by Robert Louis Stevenson: am a blue-ribbon man myself; and though I am aware there is a
difference of opinion even in our own confession, I have always
held kava to be excluded."
"What!" cried the convert. "Are you going to respect a taboo at a
time like this? And you were always so opposed to taboos when you
were alive!"
"To other people's," said the missionary. "Never to my own."
"But yours have all proved wrong," said the convert.
"It looks like it," said the missionary, "and I can't help that.
No reason why I should break my word."
"I never heard the like of this!" cried the daughter of Miru.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Othello by William Shakespeare: When she shall lacke it
Iago. Be not acknowne on't:
I haue vse for it. Go, leaue me.
Exit aemil.
I will in Cassio's Lodging loose this Napkin,
And let him finde it. Trifles light as ayre,
Are to the iealious, confirmations strong,
As proofes of holy Writ. This may do something.
The Moore already changes with my poyson:
Dangerous conceites, are in their Natures poysons,
Which at the first are scarse found to distaste:
Othello |
The third excerpt represents the future or something you must embrace, and is drawn from Tom Sawyer Abroad by Mark Twain: didn't have it there no more to remind us of what we
had been and what we had got degraded down to.
The others was feeling the same way about it that I
was. I knowed it, because they cheered up so, the
minute I says le's throw this truck overboard.
Well, it was going to be work, you know, and pretty
solid work, too; so Tom he divided it up according to
fairness and strength. He said me and him would
clear out a fifth apiece of the sand, and Jim three-
fifths. Jim he didn't quite like that arrangement. He
says:
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