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Today's Stichomancy for Federico Fellini

The first excerpt represents the past or something you must release, and is drawn from The Underdogs by Mariano Azuela:

that. I'm thinking they've got it buried in the well, in a leather bag."

The mob moves slowly; some carry ropes to tie about their bundles, others wooden trays. The women open out their aprons or shawls calculating their capacity. All give thanks to Divine Providence as they wait for their share of the booty.

When Demetrio announces that he will not allow loot- ing and orders them to disband, the mob, disconsolate, obeys him, and soon scatters; but there is a dull rumor among the soldiers and no one moves from his place.


The Underdogs
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Woman and Labour by Olive Schreiner:

few puerile attempts to enforce trivial disabilities on the ground of abstract convictions. The vanguard of humanity has won its battle for freedom of thought.

But, to the men and women taking part in that mighty movement during the long centuries of the past, probably nothing was quite clear, in the majority of cases, but their own immediate move. Not the leaders--most certainly not good old Martin Luther, even when he gave utterance to his immortal "I can no otherwise" (the eternal justification of all reformers and social innovators!), understood the whole breadth of the battlefield on which they were engaged, or grasped with precision the issues which were involved. The valiant Englishman, who, as the flames shot up about him,

The third excerpt represents the future or something you must embrace, and is drawn from The Witch, et. al by Anton Chekhov:

train's not coming in to-morrow! I shall have to go away directly."

"Savka," I shouted. "Savka."

I was not answered even by an echo. Agafya moved uneasily and sat down again.

"It's time I was going," she said in an agitated voice. "The train will be here directly! I know when the trains come in."

The poor woman was not mistaken. Before a quarter of an hour had passed a sound was heard in the distance.

Agafya kept her eyes fixed on the copse for a long time and moved her hands impatiently.