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Today's Stichomancy for Federico Fellini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Gift of the Magi by O. Henry:

and receive gifts, such as they are wisest. Everywhere they

are wisest. They are the magi.

End of this Project Gutenberg Etext of THE GIFT OF THE MAGI.


The Gift of the Magi
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Seraphita by Honore de Balzac:

problem is obtained? The species which are beneath you have no conception of the universe, and you have; why should there not be other species above you more intelligent than your own? Man ought to be better informed than he is about himself before he spends his strength in measuring God. Before attacking the stars that light us, and the higher certainties, ought he not to understand the certainties which are actually about him?'

"But no! to the negations of doubt I ought rather to reply by negations. Therefore I ask you whether there is anything here below so evident that I can put faith in it? I will show you in a moment that you believe firmly in things which act, and yet are not beings; in


Seraphita
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Proposed Roads To Freedom by Bertrand Russell:

failing to produce in reasonable quantities, and his continued ability by never failing to please his eminent judges--until, in the fulness of time, he becomes a judge himself. In this way, the authorities will insure that the artist shall be competent, regular, and obedient to the best traditions of his art. Those who fail to fulfil these conditions will be compelled by the withdrawal of their license to seek some less dubious mode of earning their living. Such will be the ideal of the State Socialist.

In such a world all that makes life tolerable to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac:

shrunken woman grasped my hand so tightly in hers that I could not choose but stay. I looked fixedly at her, striving to read the story of her life from the things among which she was crouching. Had she indeed any life in her? It was a mystery. Yet I saw plainly that once she must have been young and beautiful; fair, with all the charm of simplicity, perfect as some Greek statue, with the brow of a vestal.

"Ah! ah!" I cried, "now I know thee! Miserable woman, why hast thou prostituted thyself? In the age of thy passions, in the time of thy prosperity, the grace and purity of thy youth were forgotten. Forgetful of thy heroic devotion, thy pure life, thy abundant faith, thou didst resign thy primitive power and thy spiritual supremacy for