| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Commission in Lunacy by Honore de Balzac: advantage over her. An enormous price might have been set on a note or
letter by which she might have compromised herself, without one being
produced.
If an arid soul enabled her to play her part to the life, her person
was no less available for it. She had a youthful figure. Her voice
was, at will, soft and fresh, or clear and hard. She possessed in the
highest degree the secret of that aristocratic pose by which a woman
wipes out the past. The Marquise knew well the art of setting an
immense space between herself and the sort of man who fancies he may
be familiar after some chance advances. Her imposing gaze could deny
everything. In her conversation fine and beautiful sentiments and
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Kwaidan by Lafcadio Hearn: flitted to the house, lightly as a bat. After a few minutes it came back,
and cried out huskily, in a tone of great alarm:--
"That traveling priest is not in the house;-- he is gone! But that is not
the worst of the matter. He has taken the body of our aruji; and I do not
know where he has put it."
At this announcement the head of the aruji -- distinctly visible in the
moonlight -- assumed a frightful aspect: its eyes opened monstrously; its
hair stood up bristling; and its teeth gnashed. Then a cry burst from its
lips; and -- weeping tears of rage -- it exclaimed:--
"Since my body has been moved, to rejoin it is not possible! Then I must
die!... And all through the work of that priest! Before I die I will get at
 Kwaidan |