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Today's Stichomancy for Fiona Apple

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Merry Men by Robert Louis Stevenson:

grund; the thunder followed, peal on dirling peal, the rairing rain upon the back o' that; and Mr. Soulis lowped through the garden hedge, and ran, wi' skelloch upon skelloch, for the clachan.

That same mornin', John Christie saw the Black Man pass the Muckle Cairn as it was chappin' six; before eicht, he gaed by the change- house at Knockdow; an' no lang after, Sandy M'Lellan saw him gaun linkin' doun the braes frae Kilmackerlie. There's little doubt but it was him that dwalled sae lang in Janet's body; but he was awa' at last; and sinsyne the deil has never fashed us in Ba'weary.

But it was a sair dispensation for the minister; lang, lang he lay ravin' in his bed; and frae that hour to this, he was the man ye

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from War of the Worlds by H. G. Wells:

authorised the movements of the troops; their idea was that a dispute had arisen at the Horse Guards. The ordinary sapper is a great deal better educated than the common soldier, and they discussed the peculiar conditions of the possible fight with some acuteness. I described the Heat-Ray to them, and they began to argue among themselves.

"Crawl up under cover and rush 'em, say I," said one.

"Get aht!," said another. "What's cover against this 'ere 'eat? Sticks to cook yer! What we got to do is to go as near as the ground'll let us, and then drive a trench."

"Blow yer trenches! You always want trenches; you ought


War of the Worlds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Woman of No Importance by Oscar Wilde:

was a mere accident, a horrible accident. Forget it. Don't come now, and rob me of . . . of all I have in the whole world. You are so rich in other things. Leave me the little vineyard of my life; leave me the walled-in garden and the well of water; the ewe-lamb God sent me, in pity or in wrath, oh! leave me that. George, don't take Gerald from me.

LORD ILLINGWORTH. Rachel, at the present moment you are not necessary to Gerald's career; I am. There is nothing more to be said on the subject.

MRS. ARBUTHNOT. I will not let him go.

LORD ILLINGWORTH. Here is Gerald. He has a right to decide for

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from St. Ives by Robert Louis Stevenson:

the next moment the clamour of a fresh squall broke out about the cottage; the voice was drowned in its bellowing, and I was glad to retreat from my dangerous post.

For three egregious hours I must now suffer the elements to do their worst upon me, and continue to hold my ground in patience. I recalled the least fortunate of my services in the field: being out-sentry of the pickets in weather no less vile, sometimes unsuppered and with nothing to look forward to by way of breakfast but musket-balls; and they seemed light in comparison. So strangely are we built: so much more strong is the love of woman than the mere love of life.