| The first excerpt represents the past or something you must release, and is drawn from The Ball at Sceaux by Honore de Balzac: workwomen with whom he seemed to be in consultation. The "handsome
stranger" held in his hand a parcel of patterns, which left no doubt
as to his honorable profession.
Emilie felt an icy shudder, though no one perceived it. Thanks to the
good breeding of the best society, she completely concealed the rage
in her heart, and answered her sister-in-law with the words, "I knew
it," with a fulness of intonation and inimitable decision which the
most famous actress of the time might have envied her. She went
straight up to the desk. Longueville looked up, put the patterns in
his pocket with distracting coolness, bowed to Mademoiselle de
Fontaine, and came forward, looking at her keenly.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Happy Prince and Other Tales by Oscar Wilde: together it will tell you how I love you."
But the girl frowned.
"I am afraid it will not go with my dress," she answered; "and,
besides, the Chamberlain's nephew has sent me some real jewels, and
everybody knows that jewels cost far more than flowers."
"Well, upon my word, you are very ungrateful," said the Student
angrily; and he threw the rose into the street, where it fell into
the gutter, and a cart-wheel went over it.
"Ungrateful!" said the girl. "I tell you what, you are very rude;
and, after all, who are you? Only a Student. Why, I don't believe
you have even got silver buckles to your shoes as the Chamberlain's
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The third excerpt represents the future or something you must embrace, and is drawn from The Hidden Masterpiece by Honore de Balzac: individual, to whose appearance the dusky light of the landing lent
fantastic coloring. You might have thought that a canvas of Rembrandt
without its frame had walked silently up the stairway, bringing with
it the dark atmosphere which was the sign-manual of the great master.
The old man cast a look upon the youth which was full of sagacity;
then he rapped three times upon the door, and said, when it was opened
by a man in feeble health, apparently about forty years of age, "Good-
morning, maitre."
Porbus bowed respectfully, and made way for his guest, allowing the
youth to pass in at the same time, under the impression that he came
with the old man, and taking no further notice of him; all the less
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