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Today's Stichomancy for Francis Ford Coppola

The first excerpt represents the past or something you must release, and is drawn from Allan Quatermain by H. Rider Haggard:

silver, cut into little squares of different weights; gold is the baser coin, and is about of the same value as our silver. It is, however, much prized for its beauty, and largely used for ornaments and decorative purposes. Most of the trade, however, is carried on by means of sale and barter, payment being made in kind. Agriculture is the great business of the country, and is really well understood and carried out, most of the available acreage being under cultivation. Great attention is also given to the breeding of cattle and horses, the latter being unsurpassed by any I have ever seen either in Europe or Africa.

The land belongs theoretically to the Crown, and under the Crown


Allan Quatermain
The second excerpt represents the present or the deciding factor of the moment, and is drawn from O Pioneers! by Willa Cather:

I wouldn't let anything make me unhappy. As old Napoleon Brunot said at the fair, I wouldn't go lovering after no woman. I'd take the first train and go off and have all the fun there is." "I tried that, but it didn't do any good. Everything reminded me. The nicer the place was, the more I wanted you." They had come to the stile and Emil pointed to it persuasively. "Sit down a moment, I want to ask you some- thing." Marie sat down on the top step and


O Pioneers!
The third excerpt represents the future or something you must embrace, and is drawn from De Profundis by Oscar Wilde:

When wisdom has been profitless to me, philosophy barren, and the proverbs and phrases of those who have sought to give me consolation as dust and ashes in my mouth, the memory of that little, lovely, silent act of love has unsealed for me all the wells of pity: made the desert blossom like a rose, and brought me out of the bitterness of lonely exile into harmony with the wounded, broken, and great heart of the world. When people are able to understand, not merely how beautiful -'s action was, but why it meant so much to me, and always will mean so much, then, perhaps, they will realise how and in what spirit they should approach me. . . .