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Today's Stichomancy for Francis Ford Coppola

The first excerpt represents the past or something you must release, and is drawn from Baby Mine by Margaret Mayo:

decided to take a chance with the Italian mother, and as fast as he could, he streaked it toward the opposite door. The shrieks and denunciations that he met from this direction were more disconcerting than those of the Irish father. For an instant he stood in the centre of the room, wavering as to which side to surrender himself.

The thunderous tones of the enraged father drew nearer; he threw himself on the floor and attempted to roll under the bed; the space between the railing and the floor was far too narrow. Why had he disregarded Aggie's advice as to diet? The knob of the door handle was turning--he vaulted into the bed and drew the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

to that accustomed splendor which under a becoming sense of propriety was laid aside during the foreign occupation. The mayors and deputy-mayors each propose to give a ball; this national movement will no doubt be followed, and the winter promises to be a brilliant one. Among the fetes now preparing, the one most talked of is the ball of Monsieur Birotteau, lately named chevalier of the Legion of honor and well-known for his devotion to the royal cause. Monsieur Birotteau, wounded in the affair of Saint-Roch, judges in the department of commerce, and therefore has doubly merited this honor."

"How well they write nowadays," cried Cesar. "They are talking about

Rise and Fall of Cesar Birotteau
The third excerpt represents the future or something you must embrace, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

him whilst he slept; and the reality is before him for the first time when Fricka wakes him. In that majestic burg he is to rule with her and through her over the humble giants, who have eyes to gape at the glorious castles their own hands have built from his design, but no brains to design castles for themselves, or to comprehend divinity. As a god, he is to be great, secure, and mighty; but he is also to be passionless, affectionless, wholly impartial; for Godhead, if it is to live with Law, must have no weaknesses, no respect for persons. All such sweet littlenesses must be left to the humble stupid giants to make their toil sweet to them; and the god must, after all, pay for Olympian power the