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Today's Stichomancy for Francis Ford Coppola

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Prince of Bohemia by Honore de Balzac:

youthful energies, a vague, obscure melancholy."

"That will do," said the Marquise; "you are giving me a mental shower bath."

"It is the early afternoon languor. If a man has nothing to do, he will sooner get into mischief than do nothing at all; this invariably happens in France. Youth at present day has two sides to it; the studious or unappreciated, and the ardent or /passionne/."

"That will do!" repeated Mme. de Rochefide, with an authoritative gesture. "You are setting my nerves on edge."

"To finish my portrait of La Palferine, I hasten to make the plunge into the gallant regions of his character, or you will not understand

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

volume and vigor of its current, so are individual existences eliminated and replaced in the pulsing of a people's life, with never a pause in its mighty murmur. But all this, and much more, Julien had learned in seven merciless days--seven successive and terrible shocks of experience. The enormous world had not missed him; and his place therein was not void--society had simply forgotten him. So long as he had moved among them, all he knew for friends had performed their petty altruistic roles,--had discharged their small human obligations,--had kept turned toward him the least selfish side of their natures,--had made with him a tolerably equitable exchange of ideas and of favors; and after

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

himself all the time. I remember he was a sixteenth-century duke in Florence once for weeks together."

"Oh, that's Adriance," chuckled Everett. "He is himself barely long enough to write checks and be measured for his clothes. I didn't hear from him while he was an Arab; I missed that."

"He was writing an Algerian suite for the piano then; it must be in the publisher's hands by this time. I have been too ill to answer his letter, and have lost touch with him."

Everett drew a letter from his pocket. "This came about a month ago. It's chiefly about his new opera, which is to be


The Troll Garden and Selected Stories
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Adventures of Huckleberry Finn by Mark Twain:

wanted to get aboard of her and slink around a little, and see what there was there. So I says:

"Le's land on her, Jim."

But Jim was dead against it at first. He says:

"I doan' want to go fool'n 'long er no wrack. We's doin' blame' well, en we better let blame' well alone, as de good book says. Like as not dey's a watchman on dat wrack."

"Watchman your grandmother," I says; "there ain't nothing to watch but the texas and the pilot- house; and do you reckon anybody's going to resk his


The Adventures of Huckleberry Finn