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Today's Stichomancy for Francis Ford Coppola

The first excerpt represents the past or something you must release, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

at present by splotches of mud about his seamy sides. His horns were thick and tipped with brass; his two nostrils like the Thames Tunnel as seen in the perspective toys of yore. Between them, through the gristle of his nose, was a stout copper ring, welded on, and irremovable as Gurth's collar of brass. To the ring was attached an ash staff about a yard long, which the bull with the motions of his head flung about like a flail.

It was not till they observed this dangling stick that the young women were really alarmed; for it revealed to them that the bull was an old one, too savage to be driven, which


The Mayor of Casterbridge
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Study of a Woman by Honore de Balzac:

"Take these," he said, "and deliver them."

Joseph departed without a word; admirable servant!

We began to talk of the expedition to Morea, to which I was anxious to be appointed as physician. Eugene remarked that I should lose a great deal of time if I left Paris. We then conversed on various matters, and I think you will be glad if I suppress the conversation.

When the Marquise de Listomere rose, about half-past two in the afternoon of that day, her waiting-maid, Caroline, gave her a letter which she read while Caroline was doing her hair (an imprudence which many young women are thoughtless enough to commit).

"Dear angel of love," said the letter, "treasure of my life and

The third excerpt represents the future or something you must embrace, and is drawn from On Horsemanship by Xenophon:

strike an enemy, but is as likely as not to bring him to earth himself and plunge him into the worst of straits.

We must, also, find out of the horse shows any viciousness towards other horses or towards human beings; also, whether he is skittish;[8] such defects are apt to cause his owner trouble.

[8] Or, "very ticklish."

As to any reluctance on the horse's part to being bitted or mounted, dancing and twisting about and the rest,[9] you will get a more exact idea on this score, if, when he has gone through his work, you will try and repeat the precise operations which he went through before you began your ride. Any horse that having done his work shows a readiness


On Horsemanship