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Today's Stichomancy for Francisco de Paula Santander

The first excerpt represents the past or something you must release, and is drawn from Egmont by Johann Wolfgang Von Goethe:

twelvemonth, to have my head upon his shoulders for one quarter of an hour.

Jetter. You think yourself very clever; yet there is more sense in the hairs of Egmont's head, than in your brains.

Vansen. Perhaps so! Not more shrewdness, however. These gentry are the most apt to deceive themselves. He should be more chary of his confidence.

Jetter. How his tongue wags! Such a gentleman!

Vansen. Just because he is not a tailor.

Jetter. You audacious scoundrel!

Vansen. I only wish he had your courage in his limbs for an hour to make


Egmont
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Red Inn by Honore de Balzac:

uncertainty. To-morrow I shall be shot. I am not thinking of myself," he went on after a pause, "but of my poor mother." Then he stopped, looked up to heaven, and shed no tears; his eyes were dry and strongly convulsed. "Frederic--"

["Ah! true," cried Monsieur Hermann, with an air of triumph. "Yes, the other's name was Frederic, Frederic! I remember now!"

My neighbor touched my foot, and made me a sign to look at Monsieur Taillefer. The former purveyor had negligently dropped his hand over his eyes, but between the interstices of his fingers we thought we caught a darkling flame proceeding from them.

"Hein?" she said in my ear, "what if his name were Frederic?"

The third excerpt represents the future or something you must embrace, and is drawn from Gambara by Honore de Balzac:

skilled executants. Mozart, Haydn, and Beethoven, without an orchestra would be of no great account."

"Of no great account!" said Marcosini. "Why, all the world knows that the immortal author of /Don Giovanni/ and the /Requiem/ was named Mozart; and I am so unhappy as not to know the name of the inexhaustible writer of quadrilles which are so popular in our drawing-rooms----"

"Music exists independently of execution," said the retired conductor, who, in spite of his deafness, had caught a few words of the conversation. "As he looks through the C-minor symphony by Beethoven, a musician is transported to the world of fancy on the golden wings of


Gambara