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Today's Stichomancy for Francisco de Paula Santander

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Vicar of Tours by Honore de Balzac:

completely absorbed him that he felt no pain when he found that the office of canon, in which the late Chapeloud had hoped his friend Birotteau might succeed him, was given to another. Mademoiselle Gamard having cheerfully agreed to take the vicar to board, the latter was thenceforth a participator in all those felicities of material comfort of which the deceased canon had been wont to boast.

Incalculable they were! According to the Abbe Chapeloud none of the priests who inhabited the city of Tours, not even the archbishop, had ever been the object of such minute and delicate attentions as those bestowed by Mademoiselle Gamard on her two lodgers. The first words the canon said to his friend when they met for their walk on the Mail

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Othello by William Shakespeare:

Enter.

Lod. Is this the Noble Moore, whom our full Senate Call all in all sufficient? Is this the Nature Whom Passion could not shake? Whose solid vertue The shot of Accident, nor dart of Chance Could neither graze, nor pierce? Iago. He is much chang'd

Lod. Are his wits safe? Is he not light of Braine? Iago. He's that he is: I may not breath my censure. What he might be: if what he might, he is not, I would to heauen he were


Othello
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe:

forgotten him. He sometimes saw Cassy; and sometimes, when summoned to the house, caught a glimpse of the dejected form of Emmeline, but held very little communion with either; in fact, there was no time for him to commune with anybody.

One evening, he was sitting, in utter dejection and prostration, by a few decaying brands, where his coarse supper was baking. He put a few bits of brushwood on the fire, and strove to raise the light, and then drew his worn Bible from his pocket. There were all the marked passages, which had thrilled his soul so often,--words of patriarchs and seers, poets and sages, who from early time had spoken courage to man,--voices from the great cloud


Uncle Tom's Cabin
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Second Home by Honore de Balzac:

"Listen.--All I can earn by my work I mean to give to the poor. You have made me rich. How I love that pretty home at Bellefeuille, less because of what it is than because you gave it me! But tell me, Roger, I should like to call myself Caroline de Bellefeuille--can I? You must know: is it legal or permissible?"

As she saw a little affirmative grimace--for Roger hated the name of Crochard--Caroline jumped for glee, and clapped her hands.

"I feel," said she, "as if I should more especially belong to you. Usually a woman gives up her own name and takes her husband's--" An idea forced itself upon her and made her blush. She took Roger's hand and led him to the open piano.--"Listen," said she, "I can play my