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Today's Stichomancy for Francisco de Paula Santander

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The School For Scandal by Richard Brinsley Sheridan:

of Dullness--

SURFACE. Yet they appear more ill-natured than they are--they have no malice at heart--

MARIA. Then is their conduct still more contemptible[;] for in my opinion--nothing could excuse the intemperance of their tongues but a natural and ungovernable bitterness of Mind.

SURFACE. Undoubtedly Madam--and it has always been a sentiment of mine--that to propagate a malicious Truth wantonly--is more despicable than to falsify from Revenge, but can you Maria feel thus [f]or others and be unkind to me alone--nay is hope to be denied the tenderest Passion.--

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

swiftness that enabled them to pass the gale on which the Frost King rode, and soon brought them to the Laughing Valley.

It is true when Claus released his steeds from their harness the eastern sky was streaked with gray, but Glossie and Flossie were deep in the Forest before day fairly broke.

Claus was so wearied with his night's work that he threw himself upon his bed and fell into a deep slumber, and while he slept the Christmas sun appeared in the sky and shone upon hundreds of happy homes where the sound of childish laughter proclaimed that Santa Claus had made them a visit.

God bless him! It was his first Christmas Eve, and for hundreds of

The Life and Adventures of Santa Claus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Prince of Bohemia by Honore de Balzac:

honor with my regard ought never to go on foot; if she is bespattered with mud, I suffer. That is how I am made. If she is mine, she must be admired of all Paris. All Paris shall envy me my good fortune. If some little whipper-snapper seeing a brilliant countess pass in her brilliant carriage shall say to himself, "Who can call such a divinity his?" and grow thoughtful--why, it will double my pleasure.'

"La Palferine owned to us that he flung this programme at Claudine's head simply to rid himself of her. As a result he was stupefied with astonishment for the first and probably the only time in his life.

" 'Dear,' she said, and there was a ring in her voice that betrayed the great agitation which shook her whole being, 'it is well. All this

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

hers, too, fear was to be read, but accompanied by other impressions. And yet, if her face had expressed only fear, perhaps that which happened would not have happened. But in the expression of her face there was at the first moment--at least, I thought I saw it--a feeling of ennui, of discontent, at this disturbance of her love and happiness. One would have said that her sole desire was not to be disturbed IN THE MOMENT OF HER HAPPINESS. But these expressions appeared upon their faces only for a moment. Terror almost immediately gave place to interrogation. Would they lie or not? If yes, they must begin. If not, something else was going to happen. But what?

The Kreutzer Sonata