Today's Stichomancy for Frank Lloyd Wright

dealt with in a review. What a glorious task to rob Strasbourg and Dijon of their literary importance, to bring light to the East of France, and compete with the centralizing influence of Paris! These reflections, put forward by Albert, were repeated by the ten merchants, who believed them to be their own.

Monsieur Savaron did not commit the blunder of putting his name in front; he left the finance of the concern to his chief client, Monsieur Boucher, connected by marriage with one of the great publishers of important ecclesiastical works; but he kept the editorship, with a share of the profits as founder. The commercial interest appealed to Dole, to Dijon, to Salins, to Neufchatel, to the

Albert Savarus

made a sore pull on the endurance of this sensitive people; and their hearts are still hot, not so much against Germany as against the Empire. In what other country will you find a patriotic ditty bring all the world into the street? But affliction heightens love; and we shall never know we are Englishmen until we have lost India. Independent America is still the cross of my existence; I cannot think of Farmer George without abhorrence; and I never feel more warmly to my own land than when I see the Stars and Stripes, and remember what our empire might have been.

The hawker's little book, which I purchased, was a curious mixture. Side by side with the flippant, rowdy nonsense of the Paris music-

creates for one a past of which one has been ignorant, and fills one with a sense of sorrows that have been hidden from one's tears. I can fancy a man who had led a perfectly commonplace life, hearing by chance some curious piece of music, and suddenly discovering that his soul, without his being conscious of it, had passed through terrible experiences, and known fearful joys, or wild romantic loves, or great renunciations. And so tell me this story, Ernest. I want to be amused.

ERNEST. Oh! I don't know that it is of any importance. But I thought it a really admirable illustration of the true value of ordinary art-criticism. It seems that a lady once gravely asked

to attack it wi th loud words of abuse. She was cross and grumbling from morning till night. And often she raised such an outcry that passers-by stopped in the street.

She was not affectionate towards the old man, reviling him as a lazy-bones and a plague. He was not a responsible, reliable peasant, and perhaps if she had not been continually nagging at him he would not have worked at all, but would have simply sat on the stove and talked. He talked to his son at great length about certain enemies of his, complained of the insults he said he had to put up with every day from the neighbours, and it was tedious to listen to him.