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Today's Stichomancy for Frank Lloyd Wright

The first excerpt represents the past or something you must release, and is drawn from The Emerald City of Oz by L. Frank Baum:

The walls were hung with white silk, upon which flocks of black crows were embroidered in black diamonds. Some of the chairs were made in the shape of big crows and upholstered with cushions of corn-colored silk.

The second story contained a fine banquet room, where the Scarecrow might entertain his guests, and the three stories above that were bed-chambers exquisitely furnished and decorated.

"From these rooms," said the Scarecrow, proudly, "one may obtain fine views of the surrounding cornfields. The corn I grow is always husky, and I call the ears my regiments, because they have so many kernels. Of course I cannot ride my cobs, but I really don't care shucks about that. Taken altogether, my farm will stack up with any in the neighborhood."


The Emerald City of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gulliver's Travels by Jonathan Swift:

hundred pounds English, and my protector, his kinsman, as much more, together with a letter of recommendation to a friend of his in Lagado, the metropolis. The island being then hovering over a mountain about two miles from it, I was let down from the lowest gallery, in the same manner as I had been taken up.

The continent, as far as it is subject to the monarch of the flying island, passes under the general name of BALNIBARBI; and the metropolis, as I said before, is called LAGADO. I felt some little satisfaction in finding myself on firm ground. I walked to the city without any concern, being clad like one of the natives, and sufficiently instructed to converse with them. I


Gulliver's Travels
The third excerpt represents the future or something you must embrace, and is drawn from Salammbo by Gustave Flaubert:

appeared as if it were curdled in the freshness of the morning. Then as the rosy sky grew larger, the lofty houses, bending over the sloping soil, reared and massed themselves like a herd of black goats coming down from the mountains. The deserted streets lengthened; the palm-trees that topped the walls here and there were motionless; the brimming cisterns seemed like silver bucklers lost in the courts; the beacon on the promontory of Hermaeum was beginning to grow pale. The horses of Eschmoun, on the very summit of the Acropolis in the cypress wood, feeling that the light was coming, placed their hoofs on the marble parapet, and neighed towards the sun.

It appeared, and Spendius raised his arms with a cry.


Salammbo