| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Daughter of Eve by Honore de Balzac: for authors, among whom he did not find what Richelieu called a
consecutive mind, or more correctly, continuity of ideas; he counted
as any minister would have done on the constant embarrassment of
Raoul's business affairs. Sooner or later, necessity would bring him
to accept conditions instead of imposing them.
The real, but carefully concealed character of Raoul Nathan is of a
piece with his public career. He is a comedian in good faith, selfish
as if the State were himself, and a very clever orator. No one knows
better how to play off sentiments, glory in false grandeurs, deck
himself with moral beauty, do honor to his nature in language, and
pose like Alceste while behaving like Philinte. His egotism trots
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Agnes Grey by Anne Bronte: letter. Of course, I did not break my heart about THAT, though I
often wondered how she was getting on; and when this last epistle
so unexpectedly arrived, I was glad enough to receive it. It was
dated from Ashby Park, where she was come to settle down at last,
having previously divided her time between the continent and the
metropolis. She made many apologies for having neglected me so
long, assured me she had not forgotten me, and had often intended
to write, &c. &c., but had always been prevented by something. She
acknowledged that she had been leading a very dissipated life, and
I should think her very wicked and very thoughtless; but,
notwithstanding that, she thought a great deal, and, among other
 Agnes Grey |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Wyoming by William MacLeod Raine: who was to be the victim of his bow and arrow, showed herself
worthy of his mettle.
The clock downstairs struck the half-hour, and Bannister,
reminded of what lay before him outside, made a move to go. Her
alert eyes had been expecting it, and she forestalled him by a
change of tactics. Moved apparently by impulse, she seated
herself on the piano-stool, swept the keys for an instant with
her fingers, and plunged into the brilliant "Carmen" overture.
Susceptible as this man was to the influence of music, he could
not fail to be arrested by so perfect an interpretation of his
mood. He stood rooted, was carried back again in imagination to a
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Purse by Honore de Balzac: pastel will have disappeared. The portrait will only survive in
your memory. Where you will still see the face that is dear to
you, others will see nothing at all. Will you allow me to
reproduce the likeness on canvas? It will be more permanently
recorded then than on that sheet of paper. Grant me, I beg, as a
neighborly favor, the pleasure of doing you this service. There
are times when an artist is glad of a respite from his greater
undertakings by doing work of less lofty pretensions, so it will
be a recreation for me to paint that head."
The old lady flushed as she heard the painter's words, and
Adelaide shot one of those glances of deep feeling which seem to
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