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Today's Stichomancy for Frank Sinatra

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

same that sent me her autograph-book last week with a request for a few original stanzas, not remembering that "The Pactolian" pays me five dollars a line for every thing I write in its columns.

"Madam," said I, (she and the century were in their teens together,) "all men are bores, except when we want them. There never was but one man whom I would trust with my latch-key."

"Who might that favored person be?"

"Zimmermann."

- The men of genius that I fancy most have erectile heads like the cobra-di-capello. You remember what they tell of William Pinkney, the great pleader; how in his eloquent paroxysms the veins of his


The Autocrat of the Breakfast-Table
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Island of Doctor Moreau by H. G. Wells:

He thought nothing of what was plain and comprehensible. I invented some very curious "Big Thinks" for his especial use. I think now that he was the silliest creature I ever met; he had developed in the most wonderful way the distinctive silliness of man without losing one jot of the natural folly of a monkey.

This, I say, was in the earlier weeks of my solitude among these brutes. During that time they respected the usage established by the Law, and behaved with general decorum. Once I found another rabbit torn to pieces,--by the Hyena-swine, I am assured,--but that was all. It was about May when I first distinctly perceived a growing difference in their speech and carriage, a growing coarseness of articulation,


The Island of Doctor Moreau
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ion by Plato:

ION: Yes.

SOCRATES: And the art of the rhapsode is different from that of the charioteer?

ION: Yes.

SOCRATES: And if a different knowledge, then a knowledge of different matters?

ION: True.

SOCRATES: You know the passage in which Hecamede, the concubine of Nestor, is described as giving to the wounded Machaon a posset, as he says,

'Made with Pramnian wine; and she grated cheese of goat's milk with a grater of bronze, and at his side placed an onion which gives a relish to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alcibiades II by Platonic Imitator:

in riddles after the fashion of his tribe. For all poetry has by nature an enigmatical character, and it is by no means everybody who can interpret it. And if, moreover, the spirit of poetry happen to seize on a man who is of a begrudging temper and does not care to manifest his wisdom but keeps it to himself as far as he can, it does indeed require an almost superhuman wisdom to discover what the poet would be at. You surely do not suppose that Homer, the wisest and most divine of poets, was unaware of the impossibility of knowing a thing badly: for it was no less a person than he who said of Margites that 'he knew many things, but knew them all badly.' The solution of the riddle is this, I imagine:--By 'badly' Homer meant 'bad' and 'knew' stands for 'to know.' Put the words together;--the