| The first excerpt represents the past or something you must release, and is drawn from Helen of Troy And Other Poems by Sara Teasdale: The broad unfurling banners of the dawn,
A faery forest where there sleeps a Faun;
Our souls are fain of solitudes like these.
O woman who divined our weariness,
And set the crown of silence on your art,
From what undreamed-of depth within your heart
Have you sent forth the hush that makes us free
To hear an instant, high above earth's stress,
The silent music of infinity?
The Return
I turned the key and opened wide the door
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Falk by Joseph Conrad: very loud: "Tiffin still going on in here, gentle-
men."
There was no answer, but the voices dropped sud-
denly. The head Chinaman went out. We heard
the clink of ice in the glasses, pouring sounds, the
shuffling of feet, the scraping of chairs. Schom-
berg, after wondering in a low mutter who the devil
could be there at this time of the day, got up napkin
in hand to peep through the doorway cautiously.
He retreated rapidly on tip-toe, and whispering be-
hind his hand informed me that it was Falk, Falk
 Falk |
The third excerpt represents the future or something you must embrace, and is drawn from Jude the Obscure by Thomas Hardy: Phillotson went across to the Widow Edlin's to fetch Sue a few
minutes after eight o'clock. The fog of the previous day or two
on the low-lands had travelled up here by now, and the trees on
the green caught armfuls, and turned them into showers of big drops.
The bride was waiting, ready; bonnet and all on. She had never in
her life looked so much like the lily her name connoted as she did
in that pallid morning light. Chastened, world-weary, remorseful,
the strain on her nerves had preyed upon her flesh and bones,
and she appeared smaller in outline than she had formerly done,
though Sue had not been a large woman in her days of rudest health.
"Prompt," said the schoolmaster, magnanimously taking her hand.
 Jude the Obscure |