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Today's Stichomancy for Franz Kafka

The first excerpt represents the past or something you must release, and is drawn from Merry Men by Robert Louis Stevenson:

sea.' Seals that haunted on that coast have been known to speak to man in his own tongue, presaging great disasters. It was here that a certain saint first landed on his voyage out of Ireland to convert the Hebrideans. And, indeed, I think he had some claim to be called saint; for, with the boats of that past age, to make so rough a passage, and land on such a ticklish coast, was surely not far short of the miraculous. It was to him, or to some of his monkish underlings who had a cell there, that the islet owes its holy and beautiful name, the House of God.

Among these old wives' stories there was one which I was inclined to hear with more credulity. As I was told, in that tempest which

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Bunner Sisters by Edith Wharton:

a private dwelling with a brick front, green shutters on weak hinges, and a dress-maker's sign in the window above the shop. On each side of its modest three stories stood higher buildings, with fronts of brown stone, cracked and blistered, cast-iron balconies and cat-haunted grass-patches behind twisted railings. These houses too had once been private, but now a cheap lunchroom filled the basement of one, while the other announced itself, above the knotty wistaria that clasped its central balcony, as the Mendoza Family Hotel. It was obvious from the chronic cluster of refuse- barrels at its area-gate and the blurred surface of its curtainless windows, that the families frequenting the Mendoza Hotel were not

The third excerpt represents the future or something you must embrace, and is drawn from Theaetetus by Plato:

Protagoras answer this argument? For he cannot say that no one deems another ignorant or mistaken. If you form a judgment, thousands and tens of thousands are ready to maintain the opposite. The multitude may not and do not agree in Protagoras' own thesis that 'Man is the measure of all things;' and then who is to decide? Upon his own showing must not his 'truth' depend on the number of suffrages, and be more or less true in proportion as he has more or fewer of them? And he must acknowledge further, that they speak truly who deny him to speak truly, which is a famous jest. And if he admits that they speak truly who deny him to speak truly, he must admit that he himself does not speak truly. But his opponents will refuse to admit this of themselves, and he must allow that