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Today's Stichomancy for Freddie Prinze Jr.

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dunwich Horror by H. P. Lovecraft:

diary brought about various changes of plan, and he knew that even in the end a large amount of uncertainty must remain. By Tuesday he had a definite line of action mapped out, and believed he would try a trip to Dunwich within a week. Then, on Wednesday, the great shock came. Tucked obscurely away in a corner of the Arkham Advertiser was a facetious little item from the Associated Press, telling what a record-breaking monster the bootleg whisky of Dunwich had raised up. Armitage, half stunned, could only telephone for Rice and Morgan. Far into the night they discussed, and the next day was a whirlwind of preparation on the part of them all. Armitage knew he would be meddling with terrible powers, yet saw


The Dunwich Horror
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Before Adam by Jack London:

my meat-eating enemies. I was insane with love of her, and with--anger, too, because she would not let me come up with her. It was strange how this anger against her seemed to be part of my desire for her.

As I have said, I forgot everything. In racing across an open space I ran full tilt upon a colony of snakes. They did not deter me. I was mad. They struck at me, but I ducked and dodged and ran on. Then there was a python that ordinarily would have sent me screeching to a tree-top. He did run me into a tree; but the Swift One was going out of sight, and I sprang back to the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Bride of Lammermoor by Walter Scott:

the west.. Under his humble roof was Richard born, and to his father's humble trade was Richard, greatly contrary to his inclination, early indentured. Old Mr. Tinto had, however, no reason to congratulate himself upon having compelled the youthful genius of his son to forsake its natural bent. He fared like the school-boy who attempts to stop with his finger the spout of a water cistern, while the stream, exasperated at this compression, escapes by a thousand uncalculated spurts, and wets him all over for his pains. Even so fared the senior Tinto, when his hopeful apprentice not only exhausted all the chalk in making sketches upon the shopboard, but even executed several caricatures of his


The Bride of Lammermoor
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Songs of Travel by Robert Louis Stevenson:

XXVIII. TO AN ISLAND PRINCESS - Since long ago, a child at home XXIX. TO KALAKAUA - The Sliver Ship, my King - that was her name XXX. TO PRINCESS KAIULANI - Forth form her land to mine she goes XXXI. TO MOTHER MARYANNE - To see the infinite pity of this place XXXII. IN MEMORIAM E. H. - I knew a silver head was bright beyond compare XXXIII. TO MY WIFE - Long must elapse ere you behold again XXXIV. TO MY OLD FAMILIARS - Do you remember - can we e'er forget? XXXV. The tropics vanish, and meseems that I XXXVI. TO S. C. - I heard the pulse of the besieging sea XXXVII. THE HOUSE OF TEMBINOKA - Let us, who part like brothers, part like bards