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Today's Stichomancy for Freddie Prinze Jr.

The first excerpt represents the past or something you must release, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

Block City

What are you able to build with your blocks? Castles and palaces, temples and docks. Rain may keep raining, and others go roam, But I can be happy and building at home.

Let the sofa be mountains, the carpet be sea, There I'll establish a city for me: A kirk and a mill and a palace beside, And a harbour as well where my vessels may ride.

Great is the palace with pillar and wall, A sort of a tower on the top of it all,


A Child's Garden of Verses
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mad King by Edgar Rice Burroughs:

king is not sufficiently a gentleman to demand an account- ing of you, I am at least more fortunate in the possession of a father who will."

"Your father will scarce wish to question the acts of his king," said Maenck--"his king and the husband of his daughter."

"What do you mean?" she cried.

"That before you are many hours older, your highness, you will be queen of Lutha."

The Princess Emma turned toward her tardy escort that had just arrived upon the scene.


The Mad King
The third excerpt represents the future or something you must embrace, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

popular work. Take Wagner and Ibsen for instance! Their earlier works are no doubt much cheaper than their later ones; still, they were not popular when they were written. The alternative of doing popular work was never really open to them: had they stooped they would have picked up less than they snatched from above the people's heads. But Handel and Shakespear were not held to their best in this way. They could turn out anything they were asked for, and even heap up the measure. They reviled the British Public, and never forgave it for ignoring their best work and admiring their splendid commonplaces; but they produced the commonplaces all the same, and made them sound magnificent by mere brute faculty for their art. When Shakespear was