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Today's Stichomancy for Freddie Prinze Jr.

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Damaged Goods by Upton Sinclair:

So she had a merry time teasing George. "You are a great fellow! You have no idea how well I understand you--and after only a year of marriage!"

"You know me?" said the husband, curiously. (It is always so fascinating when anybody thinks she know us better than we know ourselves!) "Tell me, what do you think about me?"

"You are restless," said Henriette. "You are suspicious. You pass your time putting flies in your milk, and inventing wise schemes to get them out."

"Oh, you think that, do you?" said George, pleased to be talked about.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Death of the Lion by Henry James:

the spot. In a flash, somehow, all was different; the tremendous wave I speak of had swept something away. It had knocked down, I suppose, my little customary altar, my twinkling tapers and my flowers, and had reared itself into the likeness of a temple vast and bare. When Neil Paraday should come out of the house he would come out a contemporary. That was what had happened: the poor man was to be squeezed into his horrible age. I felt as if he had been overtaken on the crest of the hill and brought back to the city. A little more and he would have dipped down the short cut to posterity and escaped.


The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

track I divined that it was here the car had been found. The siding, however, was empty. Except a few bits of splintered wood on the ground, there was no sign of the accident.

"Where is the freight car that was rammed?" the doctor asked a bystander.

"It was taken away at daylight, when the train was moved."

There was nothing to be gained. He pointed out the house on the embankment where the old lady and her daughter had heard the crash and seen two figures beside the car. Then we drove slowly home. I had the doctor put me down at the gate, and I walked to the house--past the lodge where we had found Louise, and, later,

The Circular Staircase
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mountains by Stewart Edward White:

convictions into the stretching of that buckskin. It looks as white as paper; and feels as soft and warm as the turf on a southern slope. Nevertheless your tyrant declares it will not do.

"It looks dry, and it feels dry," says he, "but it isn't dry. Go to it!"

But at this point your outraged soul arches its back and bucks. You sneak off and roll up that piece of buckskin, and thrust it into the alforja. You KNOW it is dry. Then with a deep sigh of relief you come out of prison into the clear, sane, lazy atmosphere of