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Today's Stichomancy for Freddie Prinze Jr.

The first excerpt represents the past or something you must release, and is drawn from Idylls of the King by Alfred Tennyson:

Your pretty sports have brightened all again. And ask your boon, for boon I owe you thrice, Once for wrong done you by confusion, next For thanks it seems till now neglected, last For these your dainty gambols: wherefore ask; And take this boon so strange and not so strange.'

And Vivien answered smiling mournfully: 'O not so strange as my long asking it, Not yet so strange as you yourself are strange, Nor half so strange as that dark mood of yours. I ever feared ye were not wholly mine;

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Four Arthurian Romances by Chretien DeTroyes:

calls him emperor. "Alis," he says, "I bring thee tidings of Alexander, who is out yonder in the harbour. Listen to thy brother's message: he asks thee for what belongs to him, nor does he demand what is unjust. Constantinople, which thou dost hold, should be his and shall be his. It would be neither just nor right that discord should arise between you two. So give him the crown without contest, for it is right that thou shouldst surrender it."

(Vv. 2495-2524.) Alis replies: "Fair gentle friend, thou hast undertaken a mad enterprise in bearing this message. There is little comfort in thy speech, for well I know that my brother is

The third excerpt represents the future or something you must embrace, and is drawn from Far From the Madding Crowd by Thomas Hardy:

mood, their usual intuition, either from carelessness or inherent defect, seemingly fails to teach them this, and hence it was that Bathsheba was fated to be astonished today. Boldwood looked at her -- not slily, critically, or understandingly, but blankly at gaze, in the way a reaper looks up at a passing train -- as something foreign to his element, and but dimly understood. To Bold- wood women had been remote phenomena rather than necessary complements -- comets of such uncertain aspect, movement, and permanence, that whether

Far From the Madding Crowd