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Today's Stichomancy for Freddie Prinze Jr.

The first excerpt represents the past or something you must release, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

much concerns a noble family (and myself not in the least), it would be impossible to make this matter clear to you. Say the word, and I will do it, right or wrong. And, at any rate, I will say so much, that my lord is not so crazy as he seems. This is a strange matter, into the tail of which you are unhappily drifted."

"I desire none of your secrets," replied Sir William; "but I will be plain, at the risk of incivility, and confess that I take little pleasure in my present company."

"I would be the last to blame you," said I, "for that."

"I have not asked either for your censure or your praise, sir," returned Sir William. "I desire simply to be quit of you; and to

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Straight Deal by Owen Wister:

climb from Amalfi to Ravello in company with a German lady of her acquaintance. The German lady had a German Baedeker, the American a Baedeker in English, published several years apart. The Baedeker in German recommended a path that went straight up the ascent, the Baedeker in English a path that went up more gradually around it. "Mine says this is the best way," said the American. "Mine says straight up is the best," said the German. "But mine is a later edition," said the American. "That is not it," explained the German. "It is that we Germans are so much more clever and agile, that to us is recommended the more dangerous way while Americans are shown the safe path."

That happened in 1910. That is Kultur. This too is Kultur:

The third excerpt represents the future or something you must embrace, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

I always thought that it oughtnt to be. It c a n t be right, Vivie, that there shouldnt be better opportunities for women. I stick to that: it's wrong. But it's so, right or wrong; and a girl must make the best of it. But of course it's not worth while for a lady. If you took to it youd be a fool; but I should have been a fool if I'd taken to anything else.

VIVIE [more and more deeply moved] Mother: suppose we were both as poor as you were in those wretched old days, are you quite sure that you wouldnt advise me to try the Waterloo bar, or marry a laborer, or even go into the factory?

MRS WARREN [indignantly] Of course not. What sort of mother do