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Today's Stichomancy for Freddie Prinze Jr.

The first excerpt represents the past or something you must release, and is drawn from Silas Marner by George Eliot:

glory o' God, as Mr. Macey gives out--and Mr. Crackenthorp saying good words, and more partic'lar on Sacramen' Day; and if a bit o' trouble comes, I feel as I can put up wi' it, for I've looked for help i' the right quarter, and gev myself up to Them as we must all give ourselves up to at the last; and if we'n done our part, it isn't to be believed as Them as are above us 'ull be worse nor we are, and come short o' Their'n."

Poor Dolly's exposition of her simple Raveloe theology fell rather unmeaningly on Silas's ears, for there was no word in it that could rouse a memory of what he had known as religion, and his comprehension was quite baffled by the plural pronoun, which was no


Silas Marner
The second excerpt represents the present or the deciding factor of the moment, and is drawn from King Lear by William Shakespeare:

We could control them. If you will come to me (For now I spy a danger), I entreat you To bring but five-and-twenty. To no more Will I give place or notice. Lear. I gave you all- Reg. And in good time you gave it! Lear. Made you my guardians, my depositaries; But kept a reservation to be followed With such a number. What, must I come to you With five-and-twenty, Regan? Said you so? Reg. And speak't again my lord. No more with me.


King Lear
The third excerpt represents the future or something you must embrace, and is drawn from Menexenus by Plato:

general considerations which equally affect all evidence to the genuineness of ancient writings are the following: Shorter works are more likely to have been forged, or to have received an erroneous designation, than longer ones; and some kinds of composition, such as epistles or panegyrical orations, are more liable to suspicion than others; those, again, which have a taste of sophistry in them, or the ring of a later age, or the slighter character of a rhetorical exercise, or in which a motive or some affinity to spurious writings can be detected, or which seem to have originated in a name or statement really occurring in some classical author, are also of doubtful credit; while there is no instance of any ancient writing proved to be a forgery, which combines excellence with