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Today's Stichomancy for Frederick II

The first excerpt represents the past or something you must release, and is drawn from Robinson Crusoe by Daniel Defoe:

to do it myself: and what could one man do among them, when perhaps there might be twenty or thirty of them together with their darts, or their bows and arrows, with which they could shoot as true to a mark as I could with my gun?

Sometimes I thought if digging a hole under the place where they made their fire, and putting in five or six pounds of gunpowder, which, when they kindled their fire, would consequently take fire, and blow up all that was near it: but as, in the first place, I should be unwilling to waste so much powder upon them, my store being now within the quantity of one barrel, so neither could I be sure of its going off at any certain time, when it might surprise


Robinson Crusoe
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Three Taverns by Edwin Arlington Robinson:

To bed with me to-night to keep me warm. I thank you, Hamilton, and I approve Your fealty to the aggregated greatness Of him you lean on while he leans on you.

HAMILTON

This easy phrasing is a game of yours That you may win to lose. I beg your pardon, But you that have the sight will not employ The will to see with it. If you did so, There might be fewer ditches dug for others In your perspective; and there might be fewer

The third excerpt represents the future or something you must embrace, and is drawn from 1984 by George Orwell:

'What's that?' said Winston.

'Oh--"Oranges and lemons, say the bells of St Clement's." That was a rhyme we had when I was a little boy. How it goes on I don't remember, but I do know it ended up, "Here comes a candle to light you to bed, Here comes a chopper to chop off your head." It was a kind of a dance. They held out their arms for you to pass under, and when they came to "Here comes a chopper to chop off your head" they brought their arms down and caught you. It was just names of churches. All the London churches were in it--all the principal ones, that is.'

Winston wondered vaguely to what century the church belonged. It was always difficult to determine the age of a London building. Anything large and


1984