|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cromwell by William Shakespeare:
[Enter Friskiball, the Merchant, and reads the bills.]
What's here? two Englishmen robbed by the Bandetti!
One of them seems to be a gentleman.
Tis pity that his fortune was so hard,
To fall into the desperate hands of thieves.
I'll question him of what estate he is.
God save you, sir; are you an Englishman?
I am, sir, a distress Englishman.
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from House of Seven Gables by Nathaniel Hawthorne:
She needed a walk along the noonday street to keep her sane.
By the spell of contrast, another portrait rose up before her,
painted with more daring flattery than any artist would have
ventured upon, but yet so delicately touched that the likeness
remained perfect. Malbone's miniature, though from the same
original, was far inferior to Hepzibah's air-drawn picture,
at which affection and sorrowful remembrance wrought together.
Soft, mildly, and cheerfully contemplative, with full, red lips,
just on the verge of a smile, which the eyes seemed to herald
by a gentle kindling-up of their orbs! Feminine traits, moulded
inseparably with those of the other sex! The miniature, likewise,
House of Seven Gables
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Voyage Out by Virginia Woolf:
"D'you think you _do_ make enough allowance for feelings?"
asked Mr. Hewet. He had again forgotten what he had meant to say.
After intense contemplation of the immaculate Gibbon Mr. Hirst
smiled at the question of his friend. He laid aside his book
"I should call yours a singularly untidy mind," he observed.
"Feelings? Aren't they just what we do allow for? We put love
up there, and all the rest somewhere down below." With his left
hand he indicated the top of a pyramid, and with his right the base.
"But you didn't get out of bed to tell me that," he added severely.
"I got out of bed," said Hewet vaguely, "merely to talk I suppose."
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Historical Lecturers and Essays by Charles Kingsley:
us believe, for it is consonant with reason and experience, that the
sight of those poor monks, plundered and massacred again and again
by the "mailed swarms of Lochlin," yet never exterminated, but
springing up again in the same place, ready for fresh massacre, a
sacred plant which God had planted, and which no rage of man could
trample out--let us believe, I say, that that sight taught at last
to the buccaneers of the old world that there was a purer manliness,
a loftier heroism, than the ferocious self-assertion of the
Berserker, even the heroism of humility, gentleness, self-restraint,
self-sacrifice; that there was a strength which was made perfect in
weakness; a glory, not of the sword but of the cross. We will