| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]: expects to have people come and see her, the way ladies do in town?"
"Well, no, miss; she don't do tbat, for, tin to one, nobody'd come if she did.
We belongs to the workin' classes, Molly and I, and we has no time for the
doing of the loikes of city people."
"I'm sorry she hasn't a day," said Tattine, "because--because--"
"If ye're maning that you'd like to give us a call, miss," said Patrick,
beginning to take in the situation, "shure she could have a day at home as
aisy as the foinest lady, and proud indeed she'd be to have it with your
little self for the guest of honor."
"I would like to bring Rudolph and Mabel, Patrick."
"And what should hinder, miss?"
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Master of Ballantrae by Robert Louis Stevenson: ingenuous, the fear of the sea was constantly in my mind, battling
with the fear of my companions. I need not cry myself up for
courage; I have done well on many fields under the eyes of famous
generals, and earned my late advancement by an act of the most
distinguished valour before many witnesses. But when we must
proceed on one of our abordages, the heart of Francis Burke was in
his boots; the little eggshell skiff in which we must set forth,
the horrible heaving of the vast billows, the height of the ship
that we must scale, the thought of how many might be there in
garrison upon their legitimate defence, the scowling heavens which
(in that climate) so often looked darkly down upon our exploits,
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