|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jerusalem Delivered by Torquato Tasso:
The satyrs rough, the fauns and fairies wild,
She chased oft, oft took, and oft beguiled.
This lusty lady came from Persia late,
She with the Christians had encountered eft,
And in their flesh had opened many a gate,
By which their faithful souls their bodies left,
Her eye at first presented her the state
Of these poor souls, of hope and help bereft,
Greedy to know, as is the mind of man,
Their cause of death, swift to the fire she ran.
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from One Basket by Edna Ferber:
Their car was caught in the jam. When they moved at all, it was
by inches. When at last they reached Jo's apartment they were
flushed, nervous, apprehensive. But he had not yet come in. So
No, they were not staying to dinner with their brother, they told
the relieved houseman.
Stell and Eva, sunk in rose-colored cushions, viewed the place
with disgust and some mirth. They rather avoided each other's
"Carrie ought to be here," Eva said. They both smiled at the
thought of the austere Carrie in the midst of those rosy
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from King James Bible:
SA1 4:6 And when the Philistines heard the noise of the shout, they
said, What meaneth the noise of this great shout in the camp of the
Hebrews? And they understood that the ark of the LORD was come into the
SA1 4:7 And the Philistines were afraid, for they said, God is come
into the camp. And they said, Woe unto us! for there hath not been such
a thing heretofore.
SA1 4:8 Woe unto us! who shall deliver us out of the hand of these
mighty Gods? these are the Gods that smote the Egyptians with all the
plagues in the wilderness.
King James Bible
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:
down to Leith, and shine singly far along Leith Pier.
Thus, the plan of the city and her suburbs is mapped out
upon the ground of blackness, as when a child pricks a
drawing full of pinholes and exposes it before a candle;
not the darkest night of winter can conceal her high
station and fanciful design; every evening in the year
she proceeds to illuminate herself in honour of her own
beauty; and as if to complete the scheme - or rather as
if some prodigal Pharaoh were beginning to extend to the
adjacent sea and country - half-way over to Fife, there
is an outpost of light upon Inchkeith, and far to