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Today's Stichomancy for Frederick II

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from End of the Tether by Joseph Conrad:

Sterne paused: then very quietly--

"It's rather pressing. When do you think you will be at liberty, sir?"

The answer to this was an exasperated "Never"; and at once Sterne, with a very firm expression of face, turned the handle.

Mr. Massy's stateroom--a narrow, one-berth cabin-- smelt strongly of soap, and presented to view a swept, dusted, unadorned neatness, not so much bare as barren, not so much severe as starved and lacking in humanity, like the ward of a public hospital, or rather (owing to

End of the Tether
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Arizona Nights by Stewart Edward White:

Escape? Bless you, no, that thought was the last in their minds. In the meantime the saddles and bridles were adjusted. Always in a cowboy's "string" of from six to ten animals the boss assigns him two or three broncos to break in to the cow business. Therefore, each morning we could observe a half dozen or so men gingerly leading wicked looking little animals out to the sand "to take the pitch out of them." One small black, belonging to a cowboy called the Judge, used more than to fulfil expectations of a good time.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Westward Ho! by Charles Kingsley:

And then upon dead horses Full savorly they fed, And drank the puddle water, They could no better get.

"When they had fed so freely They kneeled on the ground, And gave God thanks devoutly for The favor they had found; Then beating up their colors, The fight they did renew; And turning to the Spaniards,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Idylls of the King by Alfred Tennyson:

Or sit beside a noble gentlewoman.'

Then half-ashamed and part-amazed, the lord Now looked at one and now at other, left The damsel by the peacock in his pride, And, seating Gareth at another board, Sat down beside him, ate and then began.

'Friend, whether thou be kitchen-knave, or not, Or whether it be the maiden's fantasy, And whether she be mad, or else the King, Or both or neither, or thyself be mad, I ask not: but thou strikest a strong stroke,