The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Soul of Man by Oscar Wilde: cease to exist, or, if it occurs, will be treated by physicians as
a very distressing form of dementia, to be cured by care and
kindness. For what are called criminals nowadays are not criminals
at all. Starvation, and not sin, is the parent of modern crime.
That indeed is the reason why our criminals are, as a class, so
absolutely uninteresting from any psychological point of view.
They are not marvellous Macbeths and terrible Vautrins. They are
merely what ordinary, respectable, commonplace people would be if
they had not got enough to eat. When private property is abolished
there will be no necessity for crime, no demand for it; it will
cease to exist. Of course, all crimes are not crimes against
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from La Grenadiere by Honore de Balzac: children to the landscape, and then again at the children. Her face
flushed, her fingers flew with passionate feeling over the ivory keys.
This was her last great day, an unmarked day of festival, held in her
own soul by the spirit of her memories. When the doctor came, he
ordered her to stay in bed. The alarming dictum was received with
bewildered silence.
When the doctor had gone, she turned to the older boy.
"Louis," she said, "take me out on the terrace, so that I may see my
country once more."
The boy gave his arm at those simply uttered words, and brought his
mother out upon the terrace; but her eyes turned, perhaps
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Laches by Plato: their anxiety to improve the minds of their sons, have asked our advice
about them, we too should tell them who our teachers were, if we say that
we have had any, and prove them to be in the first place men of merit and
experienced trainers of the minds of youth and also to have been really our
teachers. Or if any of us says that he has no teacher, but that he has
works of his own to show; then he should point out to them what Athenians
or strangers, bond or free, he is generally acknowledged to have improved.
But if he can show neither teachers nor works, then he should tell them to
look out for others; and not run the risk of spoiling the children of
friends, and thereby incurring the most formidable accusation which can be
brought against any one by those nearest to him. As for myself, Lysimachus
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs: all, as real as I. Yet he was an etherealist. He would
not materialize his sustenance. Can it be that they are
right? Well, we, too, are right. And all these ages we
have been quarrelling--each saying that the other was wrong!
"However, he is dead now. Of that I am glad. Now shall Jav
come into his own. Now shall Jav be Jeddak of Lothar!"
As he finished, Tario opened his eyes and then quickly sat up.
"Traitor! Assassin!" he screamed, and then: "Kadar!
Kadar!" which is the Barsoomian for guard.
Jav went sickly white. He fell upon his belly, wriggling
toward Tario.
 Thuvia, Maid of Mars |