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Today's Stichomancy for Friedrich Nietzsche

The first excerpt represents the past or something you must release, and is drawn from Beast in the Jungle by Henry James:

eyes closed for a little, as if, withdrawn into herself, she were for a last time trying. "But I can't!" she said as she raised them again to take leave of him.

She couldn't indeed, as but too promptly and sharply appeared, and he had no vision of her after this that was anything but darkness and doom. They had parted for ever in that strange talk; access to her chamber of pain, rigidly guarded, was almost wholly forbidden him; he was feeling now moreover, in the face of doctors, nurses, the two or three relatives attracted doubtless by the presumption of what she had to "leave," how few were the rights, as they were called in such cases, that he had to put forward, and how odd it

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

did not choose to bury him they might let him lie where he was, or cast him in a ditch, the matter was very little to him. He was buried, it seems, at the expense of the city of Edinburgh, in the Greyfriars' Churchyard--one says in a plain turf grave--among the marble monuments which covered the bones of worse or meaner men; and whether or not the "Throughstone" which, "sunk under the ground in the Greyfriars," was raised and cleaned by the Council of Edinburgh in 1701, was really George Buchanan's, the reigning powers troubled themselves little for several generations where he lay.

For Buchanan's politics were too advanced for his age. Not only Catholic Scotsmen, like Blackwood, Winzet, and Ninian, but

The third excerpt represents the future or something you must embrace, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:


"You and I and your friend Mr. Dass are now all the company," I replied. "My lord, my lady, and the children, are gone upon a voyage."

"Upon my word!" said he. "Can this be possible? I have indeed fluttered your Volscians in Corioli! But this is no reason why our breakfast should go cold. Sit down, Mr. Mackellar, if you please" - taking, as he spoke, the head of the table, which I had designed to occupy myself - "and as we eat, you can give me the details of this evasion."

I could see he was more affected than his language carried, and I