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Today's Stichomancy for Friedrich Nietzsche

The first excerpt represents the past or something you must release, and is drawn from Charmides by Plato:

also; for the part can never be well unless the whole is well.' For all good and evil, whether in the body or in human nature, originates, as he declared, in the soul, and overflows from thence, as if from the head into the eyes. And therefore if the head and body are to be well, you must begin by curing the soul; that is the first thing. And the cure, my dear youth, has to be effected by the use of certain charms, and these charms are fair words; and by them temperance is implanted in the soul, and where temperance is, there health is speedily imparted, not only to the head, but to the whole body. And he who taught me the cure and the charm at the same time added a special direction: 'Let no one,' he said, 'persuade you to cure the head, until he has first given you his soul to be cured by the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dreams by Olive Schreiner:

earth, with the dry bushes on it. The ants ran up and down in the red sand, and the heat beat fiercely. I looked up through the thin branches of the tree at the blue sky overhead. I stretched myself, and I mused over the dream I had had. And I fell asleep again, with my head on my saddle. And in the fierce heat I had another dream.

I saw a desert and I saw a woman coming out of it. And she came to the bank of a dark river; and the bank was steep and high. (The banks of an African river are sometimes a hundred feet high, and consist of deep shifting sands, through which in the course of ages the river has worn its gigantic bed.) And on it an old man met her, who had a long white beard; and a stick that curled was in his hand, and on it was written Reason. And

The third excerpt represents the future or something you must embrace, and is drawn from Twice Told Tales by Nathaniel Hawthorne:

people in the parish, not one ventured to put the plain question to Mr. Hooper, wherefore he did this thing. Hitherto, whenever there appeared the slightest call for such interference, he had never lacked advisers, nor shown himself averse to be guided by their judgment. If he erred at all, it was by so painful a degree of self-distrust, that even the mildest censure would lead him to consider an indifferent action as a crime. Yet, though so well acquainted with this amiable weakness, no individual among his parishioners chose to make the black veil a subject of friendly remonstrance. There was a feeling of dread, neither plainly confessed nor carefully concealed, which caused each to shift the


Twice Told Tales