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Today's Stichomancy for Fritz Lang

The first excerpt represents the past or something you must release, and is drawn from Gorgias by Plato:

Socrates, and the argument is transferred to the hands of his disciple Polus, who rushes to the defence of his master. The answer has at last to be given by Socrates himself, but before he can even explain his meaning to Polus, he must enlighten him upon the great subject of shams or flatteries. When Polus finds his favourite art reduced to the level of cookery, he replies that at any rate rhetoricians, like despots, have great power. Socrates denies that they have any real power, and hence arise the three paradoxes already mentioned. Although they are strange to him, Polus is at last convinced of their truth; at least, they seem to him to follow legitimately from the premises. Thus the second act of the dialogue closes. Then Callicles appears on the scene, at first maintaining that

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mansion by Henry van Dyke:

forward together along the road. The doctor had little to tell of his experience, for it had been a plain, hard life, uneventfully spent for others, and the story of the village was very simple. John Weightman's adventures and triumphs would have made a far richer, more imposing history,

full of contacts with the great events and personages of the time. But somehow or other he did not care to speak much about it,

The third excerpt represents the future or something you must embrace, and is drawn from Fanny Herself by Edna Ferber:

high-keyed. They jump like a set of puppets on a string."

It was then that the lean secretary had said, "Mr. Fenger will see you now."

Fanny was aware of a pleasant little tingle of excitement. She entered the inner office.

It was characteristic of Michael Fenger that he employed no cheap tricks. He was not writing as Fanny Brandeis came in. He was not telephoning. He was not doing anything but standing at his desk, waiting for Fanny Brandeis. As she came in he looked at her, through her, and she seemed to feel her mental processes laid open to him as a skilled


Fanny Herself