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Today's Stichomancy for Fritz Lang

The first excerpt represents the past or something you must release, and is drawn from The Figure in the Carpet by Henry James:

and caught up with him. We had found out at last how clever he was, and he had had to make the best of the loss of his mystery. I was strongly tempted, as I walked beside him, to let him know how much of that unveiling was my act; and there was a moment when I probably should have done so had not one of the ladies of our party, snatching a place at his other elbow, just then appealed to him in a spirit comparatively selfish. It was very discouraging: I almost felt the liberty had been taken with myself.

I had had on my tongue's end, for my own part, a phrase or two about the right word at the right time; but later on I was glad not to have spoken, for when on our return we clustered at tea I

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Pupil by Henry James:

They mentioned a great many of them - they were always strikingly frank and had the brightest friendly chatter, at the late foreign breakfast in especial, before the ladies had made up their faces, when they leaned their arms on the table, had something to follow the demitasse, and, in the heat of familiar discussion as to what they "really ought" to do, fell inevitably into the languages in which they could tutoyer. Even Pemberton liked them then; he could endure even Ulick when he heard him give his little flat voice for the "sweet sea-city." That was what made him have a sneaking kindness for them - that they were so out of the workaday world and kept him so out of it. The summer had waned when, with cries of

The third excerpt represents the future or something you must embrace, and is drawn from The Lost Princess of Oz by L. Frank Baum:

tableland that can be reached only by climbing a steep hill, whichever side one approaches it. On the hillside surrounding this tableland are no paths at all, but there are quantities of bramble bushes with sharp prickers on them, which prevent any of the Oz people who live down below from climbing up to see what is on top. But on top live the Yips, and although the space they occupy is not great in extent, the wee country is all their own. The Yips had never--up to the time this story begins--left their broad tableland to go down into the Land of Oz, nor had the Oz people ever climbed up to the country of the Yips.

Living all alone as they did, the Yips had queer ways and notions of


The Lost Princess of Oz