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Today's Stichomancy for Fritz Lang

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

realization of the possibility of failure of his quest, and even then he would only admit that success was but delayed. He would eat and sleep, and then set forth again. The jungle was wide; but wide too were the experience and cunning of Tarzan. Taglat might travel far; but Tarzan would find him in the end, though he had to search every tree in the mighty forest.

Soliloquizing thus, the ape-man followed the spoor of Bara, the deer, the unfortunate upon which he had decided to satisfy his hunger. For half an hour the trail led the ape-man toward the east along a


Tarzan and the Jewels of Opar
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Story of an African Farm by Olive Schreiner:

and fills the little room with a glow of warmth and light made brighter by contrast, for outside the night is chill and misty.

Before the open fireplace sits a stranger, his tall, slight figure reposing in the broken armchair, his keen blue eyes studying the fire from beneath delicately pencilled, drooping eyelids. One white hand plays thoughtfully with a heavy flaxen moustache; yet, once he starts, and for an instant the languid lids raise themselves; there is a keen, intent look upon the face as he listens for something. Then he leans back in his chair, fills his glass from the silver flask in his bag, and resumes his old posture.

Presently the door opens noiselessly. It is Lyndall, followed by Doss. Quietly as she enters, he hears her, and turns.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Witch, et. al by Anton Chekhov:

machine.

The days in Tsybukin's house were spent in business cares. Before the sun had risen in the morning Aksinya was panting and puffing as she washed in the outer room, and the samovar was boiling in the kitchen with a hum that boded no good. Old Grigory Petrovitch, dressed in a long black coat, cotton breeches and shiny top boots, looking a dapper little figure, walked about the rooms, tapping with his little heels like the father-in-law in a well-known song. The shop was opened. When it was daylight a racing droshky was brought up to the front door and the old man got jauntily on to it, pulling his big cap down to his ears; and,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Glasses by Henry James:

left to swallow. Perched on her breezy cliff the good lady dazzled me as usual by her universal light: she knew so much more about everything and everybody than I could ever squeeze out of my colour-tubes. She knew that Flora was acting on system and absolutely declined to be interfered with: her precious reasoning was that her money would last as long as she should need it, that a magnificent marriage would crown her charms before she should be really pinched. She had a sum put by for a liberal outfit; meanwhile the proper use of the rest was to decorate her for the approaches to the altar, keep her afloat in the society in which she would most naturally meet her match. Lord Iffield had been