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Today's Stichomancy for Fritz Lang

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of War by Sun Tzu:

topics, or do so only in a shamefaced manner. If any are bold enough to discuss the subject, they are at once set down as eccentric individuals of coarse and brutal propensities. This is an extraordinary instance in which, through sheer lack of reasoning, men unhappily lose sight of fundamental principles. When the Duke of Chou was minister under Ch`eng Wang, he regulated ceremonies and made music, and venerated the arts of scholarship and learning; yet when the barbarians of the River Huai revolted, [60] he sallied forth and chastised them. When Confucius held office under the Duke of Lu, and a


The Art of War
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Patchwork Girl of Oz by L. Frank Baum:

when she came to the Scarecrow she knocked him off his feet and sent him tumbling against Dorothy, who tripped up Ojo. The boy fell against the Horner, so that all went tumbling down the slide in a regular mix-up, unable to see where they were going because of the darkness.

Fortunately, when they reached the bottom the Scarecrow and Scraps were in front, and the others bumped against them, so that no one was hurt. They found themselves in a vast cave which was dimly lighted by the tiny grains of radium that lay


The Patchwork Girl of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Facino Cane by Honore de Balzac:

be Prince of Varese!"

My head was swimming. For me his confidences reached the proportions of tragedy; at the sight of that white head of his and beyond it the black water in the trenches of the Bastille lying still as a canal in Venice, I had no words to answer him. Facino Cane thought, no doubt, that I judged him, as the rest had done, with a disdainful pity; his gesture expressed the whole philosophy of despair.

Perhaps his story had taken him back to happy days and to Venice. He caught up his clarionet and made plaintive music, playing a Venetian boat-song with something of his lost skill, the skill of the young patrician lover. It was a sort of /Super flumina Babylonis/. Tears

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Study of a Woman by Honore de Balzac:

introduced me into the sanctuary."

"Monsieur de Listomere is not in my confidence on this point. It is not always prudent to put a husband in possession of certain secrets."

The firm and gentle tones in which the marquise said these words, and the imposing glance which she cast upon Rastignac made him aware that he had posed in his cravat a trifle prematurely.

"Madame, I understand you," he said, laughing. "I ought, therefore, to be doubly thankful that Monsieur le marquis met me; he affords me an opportunity to offer you excuses which might be full of danger were you not kindness itself."

The marquise looked at the young man with an air of some surprise, but