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Today's Stichomancy for Fritz Lang

The first excerpt represents the past or something you must release, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

thought the perfect keeping of the character of the premises with the accredited character of the people, and while speculating upon the possible influence which the one, in the long lapse of centuries, might have exercised upon the other--it was this deficiency, perhaps, of collateral issue, and the consequent undeviating transmission, from sire to son, of the patrimony with the name, which had, at length, so identified the two as to merge the original title of the estate in the quaint and equivocal appellation of the "House of Usher"--an appellation which seemed to include, in the minds of the peasantry who used it, both the family and the family mansion.

The Fall of the House of Usher
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A House of Pomegranates by Oscar Wilde:

The chief smiled, and showed me five heads fixed upon long reeds of bamboo.

'Then he asked me who was the prophet of God, and I answered him Mohammed.

'When he heard the name of the false prophet, he bowed and took me by the hand, and placed me by his side. A negro brought me some mare's milk in a wooden dish, and a piece of lamb's flesh roasted.

'At daybreak we started on our journey. I rode on a red-haired camel by the side of the chief, and a runner ran before us carrying a spear. The men of war were on either hand, and the mules followed with the merchandise. There were forty camels in the

The third excerpt represents the future or something you must embrace, and is drawn from The Three Taverns by Edwin Arlington Robinson:

and have it over."

"Oh, you devil! . . . Oh, you. . . ."

"No, I'm not a devil, I'm a prophet -- One who sees the end already of so much that one end more Would have now the small importance of one other small illusion, Which in turn would have a welcome where the rest have gone before. But if I were you, my fancy would look on a little farther For the glimpse of a release that may be somewhere still in sight. Furthermore, you must remember those two hundred invitations For the dancing after dinner. We shall have to shine tonight. We shall dance, and be as happy as a pair of merry spectres,