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Today's Stichomancy for Galileo Galilei

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Night and Day by Virginia Woolf:

don't want to tell people yourselves, I'll do it for you. I know William has feelings about these matters that make it very difficult for him to do anything."

"Because he's fearfully sensitive about other people's feelings," said Cassandra. "The idea that he could upset Aunt Maggie or Uncle Trevor would make him ill for weeks."

This interpretation of what she was used to call William's conventionality was new to Katharine. And yet she felt it now to be the true one.

"Yes, you're right," she said.

"And then he worships beauty. He wants life to be beautiful in every

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Robinson Crusoe by Daniel Defoe:

have secured the three men, for I saw no firearms they had among them; but it fell out to my mind another way. After I had observed the outrageous usage of the three men by the insolent seamen, I observed the fellows run scattering about the island, as if they wanted to see the country. I observed that the three other men had liberty to go also where they pleased; but they sat down all three upon the ground, very pensive, and looked like men in despair. This put me in mind of the first time when I came on shore, and began to look about me; how I gave myself over for lost; how wildly I looked round me; what dreadful apprehensions I had; and how I lodged in the tree all night for fear of being devoured by wild


Robinson Crusoe
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To-morrow by Joseph Conrad:

looking uneasily, as though he had suspected that there was something wrong somewhere.

Every Monday she paid him his rent over the railings. He clutched the shillings greedily. He grudged every penny he had to spend on his main- tenance, and when he left her to make his purchases his bearing changed as soon as he got into the street. Away from the sanction of her pity, he felt himself exposed without defence. He brushed the walls with his shoulder. He mistrusted the queer- ness of the people; yet, by then, even the town


To-morrow
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Message by Honore de Balzac:

news travels swiftly, and I wished to be first at the chateau. I asked for the shortest way, and hurried through the field paths of the Bourbonnais, bearing, as it were, a dead man on my back. The nearer I came to the Chateau de Montpersan, the more aghast I felt at the idea of my strange self-imposed pilgrimage. Vast numbers of romantic fancies ran in my head. I imagined all kinds of situations in which I might find this Comtesse de Montpersan, or, to observe the laws of romance, this Juliette, so passionately beloved of my traveling companion. I sketched out ingenious answers to the questions which she might be supposed to put to me. At every turn of a wood, in every beaten pathway, I