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Today's Stichomancy for Gary Cooper

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Warlord of Mars by Edgar Rice Burroughs:

One of the guards started toward me. "Who are you?" he demanded. "What do you here?" "I come for Tardos Mors, Jeddak of Helium, and his son, Mors Kajak," I cried, pointing to the two red prisoners, who had now sprung to their feet, wide-eyed in astonished recognition. "Rise, red men! Before we die let us leave a memorial in the palace of Okar's tyrant that will stand forever in the annals of Kadabra to the honor and glory of Helium," for I had seen that all


The Warlord of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Misalliance by George Bernard Shaw:

hiding-place; for he stops and turns between the two tables to take a survey of the room; then runs into the corner between the end of the sideboard and the wall. Hypatia, excited, mischievous, her eyes glowing, runs in, precisely on his trail; turns at the same spot; and discovers him just as he makes a dash for the pavilion door. She flies back and intercepts him._

HYPATIA. Aha! arnt you glad Ive caught you?

PERCIVAL. _[illhumoredly turning away from her and coming towards the writing table]_ No I'm not. Confound it, what sort of girl are you? What sort of house is this? Must I throw all good manners to the winds?

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cromwell by William Shakespeare:

Father, I have; please you to call him in.

OLD CROMWELL. That's well said, Tom; a good lad, Tom.

[Enter Master Bowser.]

BOWSER.

Now, Master Cromwell, have you dispatched this petition?

CROMWELL. I have, sir; here it is: please you peruse it.

BOWSER. It shall not need; we'll read it as we go by water:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Modest Proposal by Jonathan Swift:

very well known, that they are every day dying, and rotting, by cold and famine, and filth, and vermin, as fast as can be reasonably expected. And as to the young labourers, they are now in almost as hopeful a condition. They cannot get work, and consequently pine away from want of nourishment, to a degree, that if at any time they are accidentally hired to common labour, they have not strength to perform it, and thus the country and themselves are happily delivered from the evils to come.

I have too long digressed, and therefore shall return to my subject. I think the advantages by the proposal which I have made are obvious and many, as well as of the highest importance.


A Modest Proposal