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Today's Stichomancy for George Armstrong Custer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Four Arthurian Romances by Chretien DeTroyes:

deliverance of my sons, or unless I consent to surrender my daughter to him; and he says that when he has her in his possession he will give her over to be the sport of the vilest and lewdest fellows in his house, for he would scorn to take her now for himself. That is the disaster which awaits me to-morrow, unless the Lord God grant me His aid. So it is no wonder, fair sir, if we are all in tears. But for your sake we strive for the moment to assume as cheerful a countenance as we can. For he is a fool who attracts a gentleman to his presence and then does not honour him; and you seem to be a very perfect gentleman. Now I have told you the entire story of our great distress. Neither in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Animal Farm by George Orwell:

had been slaves and now they were free, and that made all the difference, as Squealer did not fail to point out.

There were many more mouths to feed now. In the autumn the four sows had all littered about simultaneously, producing thirty-one young pigs between them. The young pigs were piebald, and as Napoleon was the only boar on the farm, it was possible to guess at their parentage. It was announced that later, when bricks and timber had been purchased, a schoolroom would be built in the farmhouse garden. For the time being, the young pigs were given their instruction by Napoleon himself in the farmhouse kitchen. They took their exercise in the garden, and were discouraged from playing with the other young animals. About this time, too, it was laid down as a rule


Animal Farm
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

of the Artist as a Young Man"; intensely interested by "Joan and Peter" and "The Undying Fire," and rather surprised by his discovery through a critic named Mencken of several excellent American novels: "Vandover and the Brute," "The Damnation of Theron Ware," and "Jennie Gerhardt." Mackenzie, Chesterton, Galsworthy, Bennett, had sunk in his appreciation from sagacious, life-saturated geniuses to merely diverting contemporaries. Shaw's aloof clarity and brilliant consistency and the gloriously intoxicated efforts of H. G. Wells to fit the key of romantic symmetry into the elusive lock of truth, alone won his rapt attention.


This Side of Paradise
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fables by Robert Louis Stevenson:

No reason why I should break my word."

"I never heard the like of this!" cried the daughter of Miru. "Pray, what do you expect to gain?"

"That is not the point," said the missionary. "I took this pledge for others, I am not going to break it for myself."

The daughter of Miru was puzzled; she came and told her mother, and Miru was vexed; and they went and told Akaanga. "I don't know what to do about this," said Akaanga; and he came and reasoned with the missionary.

"But there IS such a thing as right and wrong," said the missionary; "and your ovens cannot alter that."