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Today's Stichomancy for George Armstrong Custer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Riders of the Purple Sage by Zane Grey:

passionately. And he knew it was not his old self speaking. It was this softer, gentler man who had awakened to new thoughts in the quiet valley. Tenderness, masterful in him now, matched the absence of joy and blunted the knife-edge of entering jealousy. Strong and passionate effort of will, surprising to him, held back the poison from piercing his soul.

"Wait!...Wait!" he cried, as if calling. His hand pressed his breast, and he might have called to the pang there. "Wait! It's all so strange--so wonderful. Anything can happen. Who am I to judge her? I'll glory in my love for her. But I can't tell it--can't give up to it."

Riders of the Purple Sage
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

this rampart and others like it. Though lower parts must have originally existed, all traces of such things were now wholly obscured by the deep layer of ice and snow at this point. We crawled through one of the windows and vainly tried to decipher the nearly effaced mural designs, but did not attempt to disturb the glaciated floor. Our orientation flights had indicated that many buildings in the city proper were less ice-choked, and that we might perhaps find wholly clear interiors leading down to the true ground level if we entered those structures still roofed at the top. Before we left the rampart we photographed it carefully,

At the Mountains of Madness
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the South Seas by Robert Louis Stevenson:

He was tall and lean, says his grandson, looked extremely old, and 'walked all the same young man.' The same observer gave me a significant detail. The survivors of that rough epoch were all defaced with spearmarks; there was none on the body of this skilful fighter. 'I see old man, no got a spear,' said the king.

Tenkoruti left two sons, Tembaitake and Tembinatake. Tembaitake, our king's father, was short, middling stout, a poet, a good genealogist, and something of a fighter; it seems he took himself seriously, and was perhaps scarce conscious that he was in all things the creature and nursling of his brother. There was no shadow of dispute between the pair: the greater man filled with

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Romeo and Juliet by William Shakespeare:

Iul. And ioy comes well, in such a needy time, What are they, beseech your Ladyship? Mo. Well, well, thou hast a carefull Father Child? One who to put thee from thy heauinesse, Hath sorted out a sudden day of ioy, That thou expects not, nor I lookt not for

Iul. Madam in happy time, what day is this? Mo. Marry my Child, early next Thursday morne, The gallant, young, and Noble Gentleman, The Countie Paris at Saint Peters Church, Shall happily make thee a ioyfull Bride

Romeo and Juliet