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Today's Stichomancy for George Armstrong Custer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

met her overtures; the curiously offensive tinge of--Oh dear me! I AM somebody now, with Lady Chatterley talking to me! But she needn't think I'm not as good as her for all that!--which she always heard twanging in the women's half-fawning voices, was impossible. There was no getting past it. It was hopelessly and offensively nonconformist.

Clifford left them alone, and she learnt to do the same: she just went by without looking at them, and they stared as if she were a walking wax figure. When he had to deal with them, Clifford was rather haughty and contemptuous; one could no longer afford to be friendly. In fact he was altogether rather supercilious and contemptuous of anyone not in his own class. He stood his ground, without any attempt at


Lady Chatterley's Lover
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from New Arabian Nights by Robert Louis Stevenson:

The tables were now turned. If the Dictator was the stronger, Francis, in the top of his youth, was the more fleet of foot, and he had soon effected his escape among the crowds. Relieved for a moment, but with a growing sentiment of alarm and wonder in his mind, be walked briskly until he debauched upon the Place de l'Opera, lit up like day with electric lamps.

"This, at least," thought he, "should satisfy Miss Vandeleur."

And turning to his right along the Boulevards, he entered the Cafe Americain and ordered some beer. It was both late and early for the majority of the frequenters of the establishment. Only two or three persons, all men, were dotted here and there at separate

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

stirred not, but seemed gathered up in the gloom, like some gigantic monster ready to spring upon the traveller.

The hair of the affrighted pedagogue rose upon his head with terror. What was to be done? To turn and fly was now too late; and besides, what chance was there of escaping ghost or goblin, if such it was, which could ride upon the wings of the wind? Summoning up, therefore, a show of courage, he demanded in stammering accents, " Who are you?" He received no reply. He repeated his demand in a still more agitated voice. Still there was no answer. Once more he cudgelled the sides of the inflexible Gunpowder, and, shutting his eyes, broke forth with involuntary


The Legend of Sleepy Hollow
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from My Bondage and My Freedom by Frederick Douglass:

relief from a deep and blighting shame, the "sending back the money" to the slaveholders from whom it was gathered.

One good result followed the conduct of the Free Church; it furnished an occasion for making the people of Scotland thoroughly acquainted with the character of slavery, and for arraying against the system the moral and religious sentiment of that country. Therefore, while we did not succeed in accomplishing the specific object of our mission, namely--procure the sending back of the money--we were amply justified by the good which really did result from our labors.

Next comes the Evangelical Alliance. This was an attempt to form


My Bondage and My Freedom